Lights! Camera! Revolution! - film from Russia and Cuba

I've written before about the role of Trades Union Councils in promoting (or should that be

fomenting) working class and left political culture. Another example is taking place this weekend in Dumfries.

There, the local TUC (what we used to call Trades Councils) in association with the Robert Burns Centre Film Theatre, is screening a small film festival to mark the centenary of the Russian Revolution.

Called Representing Revolution the first film - At Home among Strangers - screens tonight and then we have another 5 films including Eisenstein's October, screened with The End of Saint Petersburg, and Warren Beatty's Reds. The films are introduced and illustrated by a variety of talks by prominent academics. The Morning Star (also a partner in this project) has a fuller description here.

Tickets are available from the Robert Burns Centre here.

If the Russian Revolution is not your bag (all that snow and ice) how about a revolution performed in the somewhat warmer climes of the Caribbean? The Third Havana Glasgow Film Festival is coming up in Havana's twin city on the Clyde.

This year concentrated into an extended weekend the Festival has concentrated on bringing the stars and filmmakers over from Cuba to speak to their creations. Starting from Thursday 9 November with Jonal Cosculluela here to talk about his film Esteban - about a 9-year-old's determination to learn the piano - this year's festival also welcomes Luis Alberto Garcia, star of films like - Ya no es Antes - the premiere of this film about a couple split by emigration, and Clandestinos - a love story set against the last days of the revolution against Batista.

Dr Aleida Guevara March

Other Cuban friends arriving are Che Guevara's daughter, Aleida, in Glasgow as part of a UK-wide speaking tour on the 50th Anniversary of her father's assassination.  In addition to the rally organised by the Scottish Cuba Solidarity Campaign, she will take time out to discuss two films-San Ernesto nace en La Higuera - about the impact of Che's death amongst the Bolivian villagers in the area - and The Man Behind the Myth - on Che's compadre. Fidel. HGFF's Cuban co-director, Hugo Rivalta flies in tomorrow (Saturday)!

The HGFF website has details of these and many other films (me? I'm lookng forward to Ghost Town to Havana - about two kids baseball teams - from Oakland and Havana and the parallels and differences between them.). The programme is here.

From Alexei to Jeremy, and much in between - Edinburgh Reviews 3 & 4

Both of my final compilation roundups of Edinburgh festival shows have now been published in the Morning Star. The third one - Sayle, Spoiler Alerts and Symphonies - can be found here.  And the final one - Clementine to Corbyn - is here.

This final review has been truncated more than usual to get in what was originally a separate story on Jeremy Corbyn's two appearances at the fringe. Obviously, a paper like the Star often has to do this to get stories in at all. What is remarkable is how much they have managed to retain from the original - hats off to the subs!

On the website edition, the ratings for the shows in the final review have disappeared. For the record, they were as follows.

Benjamin Clementine 3/5; Bad Roads 3/5; Contesting the Spirit of Unity 4/5; Assessment 3/5; Anoushka Shankar 4/5; In Conversation With – Barry Crimmins 4/5; Bonnie Fechters 4/5.

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Radical Angles with a Cutting Edge - Edinburgh reviews 2

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...And the second of the group reviews of both International and Fringe shows was published in the Morning Star on Saturday. It is available here. It covers reviews that I posted in my previous blog post, (Cathy, Out of the Bad, and The Remains of Tom Lehrer), plus reviews of Yo Carmen and Drainage Alley. 

There will, I think, be a further two compilation reviews in the Star in the forthcoming weeks but a couple of shows that have slipped through the net are printed below. 

John McDonnell MP

The increase of spoken word events in the various festivals, means we need to find a reviewing standard to rate them. John McDonnell MP (*****)may have provided us with a standard in this interview (by comedian and presenter, Susan Morrison).

The Shadow Chancellor, and de facto deputy in the Corbyn leadership can sometimes appear severe and harsh in political interviews. In fact he proved to be an entertaining and engaging subject. He ranged over his life, both political and non-political – not the least of his revelations was that he didn’t want to be a politician – he wanted to be manager of the Co-op! 

Moving from Liverpool to London when very young, and taking a number of jobs after school, he eventually became active via the TU movement. Handling questions well, he seemed to charm even unconvinced members of the audience – while showing an impressive grasp  of economics! A performance that did neither him, nor his interviewer any harm.

In contrast, Michelle Shocked's show - Truth vs Reality (**) will not have helped her career. She is a

Michelle Shocked. pic Chad Batka

great singer, and songwriter, but in this show her undoubtedly pure voice plays second fiddle to an onstage exorcism of her treatment by big business. Nobody has any illusion about the  music industry, but sometimes you can be too close to your own story for others to follow, even (or maybe especially) if it is read from a script!

Asylum. Immigration and Women - Edinburgh reviews 1

Yesterday, the Morning Star published my reviews of four shows I've seen at this year's festivals. It is available here and covers Henry Naylor's new play - Borders (*****), and a new play by a Lebanese writer - Ghalia's Miles (***). Both these plays deal with the asylum crisis in the Middle East. The reviews also cover PJ Harvey's concert - the Hope Six Demolition Project (*****) and Sajeela Kershi's guest show Immigrant Diaries (****).

Of these reviews, only one (Borders) continues on a run (till the 28 Aug). There will be another couple of compilation reviews in the Star to come, but I thought it might be of use if I put other continuing shows here so you can decide if you'd like to see them (or not)!

Cathy Owen as Cathy. pic Pamela Raith photography

One I would clearly recommend is Cathy (*****) Pleasance Dome until the 26. Updating a classic performance often loses something but Cathy, a reimagining of Ken Loach’s Cathy Come Home, does no such thing. Written by Ali Taylor and staged by Cardboard Citizens who work with homeless and other marginalised people, this updating places the full horror of homelessness in front of us.  Cathy and her daughter – now 15 and taking GCSEs – experience the trauma - zero-hours work, low wages, eviction, uprooting, family breakup. The performances by all the cast are spot on, believable and affecting in equal measure. The audience were angry – the best result that could be achieved. See it if you can.

On the other hand, there is - The Girl who loved Stalin (*) The Space @ Jury's Inn until the 26. Sometimes it seems that some fringe shows are there only to get the cast a free pass to the festival social life. This would be one of them. The play seems to have no point, the performers have neither ability nor timing, but worst of all – they seem aware of this and don’t care. Occasional asides are the only signs of life in this unfunny and amateurish production. 50 minutes of my life I won’t get back.

Kate Donnelly and Keira Lucchesi

At times poignant, angry, joyous and an unusual way to approach the Caterpillar Occupation of 30 years ago, Out of the Bad (****) New Town Theatre until the 25, is a short two-hander between a mother (who was part of the occupation) and her daughter. Kate Donnelly and Keira Lucchesi deliver the characters with humour and life. Produced by FairPley, and directed by Sarah McCardie it is a short play (50 mins) and leaves us wanting more – which in fact there is in Butterfly (not playing here). A great taster about the impact of major industrial events on the workers. 

Finally, The Remains of Tom Lehrer (****) Gilded Balloon Teviot until 28.  Adam Kay, writer, comedian and performer takes a trip around the history and songs of Tom Lehrer. A child prodigy and maths lecturer, Lehrer started writing blackly comic (and often political) songs to entertain colleagues. While they were never played on the radio, they spread by word of mouth after he issued a self-produced album in 1953. How he got away with songs like We will all go together when we go about nuclear annihilation, or I wanna go back to Dixie  - “where the laws are mediaeval” during the period of McCarthy is unknown, but Kay does them justice. Interwoven with stories about Lehrer’s life (he is still alive) and careers the show is a worthy – if short – tribute.

 

Edinburgh's International Festival - for the elite, or for the masses?

A little-known fact of the Edinburgh International Festival (EIF), is that it has always included on its board a representative from the city’s trade unionists. Appointed by Edinburgh’s TUC, the impact of this link has had varying levels of influence over the 70 years of the Festival’s existence.

The tensions between ‘working-class’ or ‘peoples’ culture and the ‘highbrow’ culture that the International Festival has sometimes seemed to celebrate, occurred early on and is referred to in this article on the EIF’s history from Adam Behr in The Conversation.

Rudolf Bing, the Festival’s first director, thought contemporary Scottish work unlikely to meet his standards and turned down the successful Glasgow Unity Theatre. They came anyway and performed, along with a number of other companies, on what was to become the Fringe.

The history of Glasgow’s Unity Theatre is worthy of an article (or more) to itself. Formed from a number of working class theatre groups in the city (including the Clarion Players, the Glasgow Workers Theatre group and the Jewish Institute Players) and chaired by ex-shipyard worker and novelist, James Barke, it commissioned and staged a number of important plays, including Ena Lamont Stewart’s Men should weep.

The tensions between ‘elite culture’ and ‘people’s culture’ continues to this day, and it is to immense credit that the EIF that, at the time it is celebrating its 70^th year of existence, it is also bringing this debate up front. As part of its ‘Spirit of 47’ season, it is staging Contesting the Spirit of Unity – Whose Festival, Whose Culture? A combination of readings and discussion will be chaired by Director of the Festival, Fergus Linehan and will feature Larry Flanagan – General Secretary of the EIS and Joyce McMillan – theatre critic and NUJ branch chair.

The debate will no doubt continue, but what is significant to me, is the long tradition and continuing vibrancy of people’s culture in Scotland, and particularly in Glasgow. It is a tradition that deserves much more attention than it gets, and its continuing work (through groups like Trades Union Councils, FairPley and many others) still receives less than its fair share of artistic subsidy.

Contesting the Spirit of Unity is at The Studio, 22 Potterrow, Edinburgh at 11.00am on 16 August, Details and Tickets Here.

Rich pickings for the Culture Vulture - Edinburgh Festivals Preview

It seems like some time since I posted anything vaguely cultural here, but that is about to change!

Last Saturday our friends in the Morning Star printed my preview of the Fringe at this year's Edinburgh Festivals. This (and the International Festival) started this weekend and I thought it was worth posting a link to it here. Mine is the second of the two reviews posted there.

The International Festival meanwhile is celebrating its 70 Anniversary. The trade union link has been ably dealt with by Ann Henderson in an earlier Star, but it is a pity that much of the ‘Spirit of ‘47’ events are only available online and not in the printed programme.  

PJ Harvey. pic Maria Mochnaz

In addition to the rich classical and dramatic programme dealt with so ably by my colleague Gordon Parsons in the first half of the Star preview, the contemporary music programme features, PJ Harvey, and Anoushka Shankar. Other contemporary music highlights promise to be the eclectic Benjamin Clementine, and Jarvis Cocker/Chilly Gonzalez in Room 29 of the Los Angeles Chateau Marmont. 

The slightly-less-contemporary music scene sees legendary produce Joe Boyd try and recreate

Joe Boyd. pic Andrew Goertler

the Music of the Incredible String Band – very cellular songs, using a range of guest musicians, (yes he does include Mike Heron). Boyd was one of the seminal producers of the ‘60s, working with Pink Floyd, Fairport Convention, Sandy Denny, Richard Thompson, R.E.M., John Martyn, Kate & Anna McGarrigle, Billy Bragg, and Nick Drake as well as ISB.(An interesting Nick Drake link is the appearance by the Unthanks at this year's book festival. They have reinterpreted the little-known song and poetry of Molly Drake, Nick's mother. Their amazing voices promise an intriguing treatment.)

In the Classical Music side there are as ever, many gems. A spectacular two-orchestra show with the RSNO and the Mariinsky Orchestra marks the centenary of the Russian Revolution.  A flamenco version of Carmen from Spain’s Maria Pages company rubs shoulders with an opera version of Steven Berkoff's resetting of the Oedipus story, Greek. Written by Mark-Anthony Turnage the myth is updated and set in London's east end. Expect references to racism, football violence and industrial unrest! 

I am girding my loins for a busy (but hopefully not unrewarding) three weeks!

Returning to the roots of MayDay's Cabarets

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Glasgow Friends of MayDay (GFoMD) have announced another stellar line-up for the sixth annual Great May Day cabaret celebrating International Workers’ Day (May Day). This annual event at Oran Mor takes place this year on MayDay itself - Monday May 1 – this year’s public holiday.

The Cabaret returns to its roots after a couple of years inclusion of drama into the celebrations, and appropriately this year’s headliners are the acclaimed and award-winning Edinburgh-based roots collective Southern Tenant Folk Union. They are ably supported by Leicester singer-songwriter and activist Grace Petrie, the welcome return of Marxist magician Ian Saville (wonder what he's got to say about Jeremy?), folk legend Arthur Johnstone, godfather of Scottish stand-up Bruce Morton, Ayrshire’s second-best ever poet Jim Monagahan, plus Fraser Speirs, Stephen Wright, and Gavin Paterson.  All hosted by Dave Anderson and supported by Thompsons Solicitors. it promises to be a great night. Tickets available (£14) from the Bar in Oran Mor or (+bf) via the facebook page or website

It’s great that the cabaret has attracted major talents like Southern Tenant Folk Union, and that Grace Petrie can come up and spend some time letting Scotland hear her fresh new style. It is especially good that there are a number of cabarets across Scotland this year.

This year, Mayday cabarets are also taking place in Irvine (Celtic SC – Fr1 28/4), West Lothian (Loganlea Miners Welfare – Sat 29/4), and Blantyre (Miners Welfare – Sun 30/4). Playing all four cabarets are core acts Ian Saville, Bruce Morton, Jim Monaghan, Fraser Speirs and Stephen Wright. They will be joined by Grace Petrie in Glasgow, Blantyre and Loganlea, rising star Maeve Mackinnon in Irvine and Blantyre, Arthur Johnstone in Irvine, Loganlea and Glasgow, and talented singer Calum Baird in Loganlea

This year’s Mayday marches will take place on different days around Scotland, with the

largest on Sunday April 30 in Glasgow, forming at George Square at 11.00 and marching to Kelvingrove Park Bandstand. Others will be on Sat April 29 (Aberdeen, Dundee and Fife) and Sat May 6 (Edinburgh and Irvine). Both Glasgow and Edinburgh’s marches feature Paul Laverty, screenwriter of  I, Daniel Blake as a keynote speaker. Details here - http://www.stuc.org.uk/campaigns-and-external-events/mayday-2017.

Other events around the MayDay weekend also include events at the Tron as part of its Mayfesto season, and a short tour of a one-man play about the miners’ strike. Undermined by Danny Mellor, touring with the backing of Unite Community, will play Aberdeen (The Blue Lamp – 26 April); Dundee ( Arthurstone Comm Lib - 27); Edinburgh (Out of the Blue Drill Hall- 28); and Glasgow (STUC-29).

Rab Noakes

Women Hold up Half the Sky

Our old friend (and MU activist) Rab Noakes has a welcome concert in Cottiers Theatre on May 7. In his 70th year and 50 years since his first paid gig, the 'songwriter-performer on top of his game' will be joined by Kathleen MacInnes and Innes Watson.And there is the prospect of a fascinating exhibition in the Glasgow Women's Library (Landressy Street). Sisterhood is Powerful - posters from the GWL museum collection is on from 11 May - 17 June.

These and many other events will be featured in the programme which is available via the GFoMD website.