Asylum. Immigration and Women - Edinburgh reviews 1

Yesterday, the Morning Star published my reviews of four shows I've seen at this year's festivals. It is available here and covers Henry Naylor's new play - Borders (*****), and a new play by a Lebanese writer - Ghalia's Miles (***). Both these plays deal with the asylum crisis in the Middle East. The reviews also cover PJ Harvey's concert - the Hope Six Demolition Project (*****) and Sajeela Kershi's guest show Immigrant Diaries (****).

Of these reviews, only one (Borders) continues on a run (till the 28 Aug). There will be another couple of compilation reviews in the Star to come, but I thought it might be of use if I put other continuing shows here so you can decide if you'd like to see them (or not)!

Cathy Owen as Cathy. pic Pamela Raith photography

One I would clearly recommend is Cathy (*****) Pleasance Dome until the 26. Updating a classic performance often loses something but Cathy, a reimagining of Ken Loach’s Cathy Come Home, does no such thing. Written by Ali Taylor and staged by Cardboard Citizens who work with homeless and other marginalised people, this updating places the full horror of homelessness in front of us.  Cathy and her daughter – now 15 and taking GCSEs – experience the trauma - zero-hours work, low wages, eviction, uprooting, family breakup. The performances by all the cast are spot on, believable and affecting in equal measure. The audience were angry – the best result that could be achieved. See it if you can.

On the other hand, there is - The Girl who loved Stalin (*) The Space @ Jury's Inn until the 26. Sometimes it seems that some fringe shows are there only to get the cast a free pass to the festival social life. This would be one of them. The play seems to have no point, the performers have neither ability nor timing, but worst of all – they seem aware of this and don’t care. Occasional asides are the only signs of life in this unfunny and amateurish production. 50 minutes of my life I won’t get back.

Kate Donnelly and Keira Lucchesi

At times poignant, angry, joyous and an unusual way to approach the Caterpillar Occupation of 30 years ago, Out of the Bad (****) New Town Theatre until the 25, is a short two-hander between a mother (who was part of the occupation) and her daughter. Kate Donnelly and Keira Lucchesi deliver the characters with humour and life. Produced by FairPley, and directed by Sarah McCardie it is a short play (50 mins) and leaves us wanting more – which in fact there is in Butterfly (not playing here). A great taster about the impact of major industrial events on the workers. 

Finally, The Remains of Tom Lehrer (****) Gilded Balloon Teviot until 28.  Adam Kay, writer, comedian and performer takes a trip around the history and songs of Tom Lehrer. A child prodigy and maths lecturer, Lehrer started writing blackly comic (and often political) songs to entertain colleagues. While they were never played on the radio, they spread by word of mouth after he issued a self-produced album in 1953. How he got away with songs like We will all go together when we go about nuclear annihilation, or I wanna go back to Dixie  - “where the laws are mediaeval” during the period of McCarthy is unknown, but Kay does them justice. Interwoven with stories about Lehrer’s life (he is still alive) and careers the show is a worthy – if short – tribute.

 

Culture and the labour movement - a key role for Trades Councils

Last Tuesday,  Jamie Caldwell – Unite Community Co-ordinator for Scotland – penned a piece in the ‘Voices from Scotland’ section of the Morning Star arguing the importance of arts, music and culture in bringing people to politics and inspiring them to join the movement for change.

It is a timely reminder of the importance of the labour movement’s involvement in the arts and cultural scene – an involvement that goes back at least as far as the Rose Schneiderman quote from 1911/2 - "The worker must have bread, but she must have roses, too." It was a prominent part of socialist and labour movement work in thirties and forties Glasgow with the Unity Theatre, Left Book Club groups and the Trades Council’s Film Society. Similar organisations existed in other cities.

In more contemporary times the TU movement was key to the formation of  Glasgow’s MayFest, - as were left theatre groups such as Dave MacLennan’s Wildcat -  and it is good to see increasing arts and musical input more recently around the International Workers’ Day celebrations. Glasgow’s own Friends of MayDay programme is one of these developments.

The role of Trades Councils can be crucial in the success of this co-ordination, and it is good to see a recent increase in such activities by Trades Union Councils (the new name for Trades Councils) in and around Glasgow.

Jane McAlevey

Glasgow Trades Council itself starts the list this week with their hosting of the book launch by American union organizer and author, Jane McAlevey. Entitled No Shortcuts, Organising for Power, it’s on tonight at the Lighthouse and while it has been sold out, there might be some returns available via the FB page.

Jamie’s article mentions the Ken Loach film I, Daniel Blake, and the work of Unite and the People’s Assembly in promoting it. One of these screenings is being hosted in Clydebank Town Hall, by Clydebank Trades Council with support from the Morning Star and a multitude of TUs, on Thursday this week at 7.00pm. Tickets here.

Clydebank TC are also prominent in a mini tour of the play Dare Devil Rides to Jarama. A play about motorcycling and the Spanish Civil War, it is produced by Townsend Productions – who gave you The Ragged-Trousered Philanthropist and the Shrewsbury pickets play United We Stand. It is also playing Clydebank Town Hall (on 6 March), tickets here. If you can’t make this showing, there is also one organised by South Lanarkshire TC in the Blantyre Miners Welfare two days previously (4 Mar). Tickets from UNISON South Lanarkshire 01698 454690 or from the Blantyre Miners Welfare itself.

30 years ago elsewhere in South Lanarkshire (in Uddingston actually) workers at the Caterpillar factory occupied their workplace to prevent it being closed. The occupation lasted 103 days. Our friends at FairPley – other valuable contributors to the increase in cultural activity on the left – have commissioned two, one-act plays from Anne Hogg on the aftermath of the occupation. Out of the Bad and Butterfly are premiering at Motherwell Civic Theatre on February 25. Tickets from Culture NL here..

Not a bad contribution to Jamie’s important call for the use of cultural events in socialist and labour movement organizing. I have no doubt that there are other Trades Union Council’s across Scotland who are organising similar events. If so, it would be good to support them and to promote them using social contacts, both digital and otherwise. And if they are not – what about getting them to do so?

As a wee add-on, while I was in London on a break, the Morning Star published my final round-up

Shirley Collins, pic Eva Vermandel

review of Celtic Connections. Concentrating on the CC theme of Women of Song it can be found here.  And while we’re on the topic of the Star and Arts/Music coverage, there’s a nice interview by Mike Quille with a former star of  Celtic Connections, Chris Wood, in the weekend’s edition. He is a great example of how contemporary folk music is being created right across these islands.