Tales from the city-the fourth. Transports of delight.

Thank you, driver

A lesser-profiled event at the Assembly Rooms was a series of performances of Love Letters to the Public Transport System. Produced by the National Theatre of Scotland, this is a gem of a production, written, produced and performed by Molly Taylor. The premise of the monologue are a number of individual stories about love and busses, which spark other thoughts about the use we make of trains and boats and planes (or, well, busses), and the people who drive them. 

Molly Taylor

The piece cleverly interweaves individual's stories with Molly’s own attempts to contact bus and train drivers who have taken her on key journeys - and her lack of success in doing so. What it also sparked for me was a memory of my first impressions of Glasgow busses. Arriving in the city from the ‘underbelly of British capitalism’ I was struck by two things. Firstly, how no-one in Glasgow ever seemed to press a bell to get the bus to stop, getting up and standing by the driver (or on the platform) seemed to be the practice; but secondly how everybody thanked the driver on their way off! 

While the bell etiquette has changed, the #thankyoudriver  seemed to me then, (and still does) a remarkable practice that is not repeated anywhere else (Molly confirms that it isn’t the practice even in a similar city, like Liverpool). She ascribes the difference (in part) to the fact that elsewhere passengers exit busses through a centre door away from the driver, but although this has some superficial appeal, surely in Glasgow the history as elsewhere, was that busses had back platforms. What did Glasgow’s passengers do to express their gratitude then? Shout down the bus? Pass thanks to the conductor? No, I thought then, and still think that it is a positive decision by Glasgow (and, she says, other central belt passengers) to go out of their way to acknowledge people working on their behalf in public services. Despite much-publicised (and serious) increases in the abuse of our public service workers, and the rising tide of those insulated from public contact by headphones and MP3 players, it continues. Long may it do so.

The performance also touches on another (and probably linked) aspect of public transport and our reaction to it. Molly finds it impossible to actually track down the particular drivers that took her about. She does speak to drivers who have won service awards, nominated by their passengers for their care and work, but it seems very difficult to get to an individual driver (after the event) to say thanks. Or even to get the companies to respond! She contrasts this with the facilities set up to process, deal and respond to complaints. Are we become the destroyer of services? Are we so concerned with our own needs that we fail to tell people thanks for what they do for us? And more seriously, is there no room for public service operators to set up ways to reach individuals with praise, rather than only blame?

Love letters has already performed in Glasgow at the Tron, if it reappears near you, get along to see it. Quirky, humorous and ultimately positive, it is beautifully written and acted. It itself, goes some way to attempt to redress the balance. 

Tales from the city-the second, (and third). Talking (about) books.

You CAN judge a book by looking at the cover

One of the main reasons for going to Edinburgh at festival time, is to take in the decidedly civilised ambience of the Book Festival. Unlike the somewhat frantic hubbub of the city streets, Charlotte Square remains an oasis, and the events scheduled have a good chance of being successfully as advertised, something often lacking in the Fringe! (Mind you they do need to provide more seating in the cafe/bar areas!)

To the Square first to listen to Jon Gray and Jamie Keenan, expound their Twenty irrefutable theories of book cover design. Keenan and Gray are both exceptional book cover designers, whose styles seem to be both very different, and to fit together neatly. (see Jamie Keenan designs here http://www.keenandesign.com/index.html, and some Jon Gray here http://bookcoverarchive.com/gray318). It is no surprise to find they have previously worked together, and you will find yourself spotting books that you have noticed in shops (which after all, is the point) as you look at their portfolios.

Aaaaahhhhhh!!

The ‘Twenty theories’ covered a vast range of ideas, and principles, from standard design rules (on use of white space for example), to specific book considerations (not revealing important plot twists etc.). However the presentation needed trimming to get the best effect in the 45 mins available. Not yet available on line or in print (a book is in preparation), my favourite was the last. #20 When all else fails, use a picture of a cute kitten !  Jen Bowden in the Guardian has helped by listing the theories here. http://www.guardian.co.uk/books/booksblog/2012/aug/16/book-cover-theories-edinburgh-festival 

Another book-related presenting pair (aren’t they all book-related? Stop splitting hairs!) were John Crace and John Sutherland. Crace is the Guardian’s ‘Abbreviated Books’ columnist, parodying and condensing modern and classic fiction. He treated us to both David Copperfield, and Antonia Fraser’s memoir of Pinter, showing both sides of his work - homage to satire! The fact that he is a great Spurs fan too, helps my appreciation of him immensely!

John Sutherland

John Sutherland, was an academic lecturer in English Literature. The author of ‘Can Jane Eyre be happy’ and Where was Rebecca shot?’, he is used to approaching the classics from unusual angles. His current book Lives of the Novelists sets out to provide a huge history of fiction in 294 lives. As his examples from Stevenson and Scott proved, his penchant for an oblique eye has not been lost!

Future Festival Blogs

One of the problems re blogging on festival events is that if you’re at them, you’re not talking about them, and before you get round to do that, they’re finished (a bit like the 1960's really).  So I thought I’d do some more reflective stuff (code for too lazy to meet deadlines - lets hear it for Douglas Adams!). Look out for blogs on Past Labour ‘Leaders’, Oratory in politics, Franco and Spain and (in particular) Saying ‘Thanks’ to bus drivers.

Tales from the city - the first

As we are now able to, Doreen and I have decided to spend more time than usual in various parts of the eastern city at events arranged during August. Apparently they have a goodly number of them at that time, who would have thought it? I hope to keep up a regular blog of reviews.

Legends in tribute to the Legend

At the newly refurbished Assembly Rooms, the first event was Songs of Struggle, an extension of the successful concerts arranged to celebrate the UCS 40^th Anniversary. Some of Scotland’s greatest singers came together and put on a concert inspired by the birth centenary of political activist and folk legend - Woody Guthrie.

Alastair MacDonald

Alastair MacDonald kicked off the show with Irish traditional song Kelly, the boy from Killane. he followed it with a classic ‘Thurso Berwick’ (Morris Blythman) song Perfervidum Ingaenium Scotorum. It set the good size audience up for a sparkling evening. While there were a good number of classic left political songs, set through it were more unusual items. Sheena Wellington, who followed MacDonald, set a more laid-back tone with her a cappella songs (including her own Women o’ Dundee). Dave Anderson - fresh from his success in Oran Mor’s Summer panto - Alice in Poundland, revisited Wildcat’s play about the 84 Miners’ Strike with his version of Dead Liberty. The balance problem between the keyboard and voice didn’t lose too much of the context.

Arthur and Brian at the UCS
concert in the Old Fruitmarket

It was left, appropriately enough, to Arthur Johnstone, and Brian Miller to bring us to the specific Woody Guthrie songs of the night, highlighting Ramblin Round, (a nice version of this song by Bob Dylan can be heard here -  http://www.youtube.com/watch?v=76kx2CPXiyE ) and Do Re Mi.

The short tribute ended with the ensemble performance of This land is your land, and sent the pleased audience on their way with Guthrie’s So long (its been good to know you).

Short, though the concert was, it was a fitting tribute. With the Guthrie songbook hardly even pauchled, never mind plundered, his hundredth birthday has surely some more mileage yet?