Post-referendum, but not post-political!

Here is my piece in the Morning Star on the things I am looking forward to in this year's Edinburgh Festivals. This year the Star will have four of us providing reviews of various events, and my other colleagues (Gordon Parsons, Mike Quille, and Jody Porter) have also their highlights here. I've also added some events in the Book Festival and this and word limitations of the print media mean that the piece below is not a comprehensive survey. I've tried to add additional planned shows at the end (par 8 ff).

AFTER last year’s referendum-related material, this year’s festivals look much lighter politically on the surface. A closer look though reveals that there is plenty to tempt the radical political animal.
Last year’s successes used referendum fever to look deeper into “Scottishness” and this year’s most intriguing material ploughs the same furrow.

Confessions - what levels do we read it?

Paul Bright’s Confessions of a Justified Sinner is a complex treatment of James Hogg’s 18th-century novel, an early focus on Scotland’s “split personalities.” The novel ranges between family feud and psychological fable and this production by Untitled Projects and the National Theatre of Scotland adds a further layer by telling it as a “metafiction” in which the failed performance never took place — or did it?

This year’s fringe has some political topics, mainly in theatre productions which deal with themes as disparate as the miners’ strike (Undermined); the cold war (The Communist Threat); and Joan Littlewood (Joan, Babs and Shelagh Too).

Mark Steel

This year’s Assembly Rooms (AR) shows concentrate more on the spoken word, with well-known stand ups Jo Brand, Alexei Sayle and Mark Thomas discussing their work in the Talking Comedy series. Both Brand and Thomas also have their own shows elsewhere as does Mark Steel, who makes a welcome return to the fringe after 19 years away. I’m looking forward particularly to Countrybile, the new show from Elvis McGonagall.

Fair Pley’s innovative Cabaret of Dangerous Ideas, also returns to the Stand in the Square with some more controversial proposals from academics — ban students from Edinburgh, anyone? This The Periodic Fable, a scientific panto for young and old.

The Periodic Fable

year the producers also target the younger element with

After last year’s Israeli company controversy, this year features at least two Palestinian events. Playwright David Greig has crowdfunded 12 Palestinian artists to visit the festival and perform in an all-day programme. And at the AR Mark Thomas and Mark Steel, along with Daniel Kitson and Ivor Dembina, get together for a Free Gaza fundraiser to provide front-line medical support for people in Gaza.

At the Book festival too, Ghada Karmi (How Does it Feel When You Can’t Go Home?) and Avi Shlaim (Why Israel's Problems Remain Real) deal with aspects of the Palestinian tragedy. It is heartening that these two are already sold out. My other favourite Spurs fan, John Crace is speaking on his parliamentary sketchwriting in Coalition Confidential. Marcus O'Dair discusses his biography of music legend, Robert Wyatt in From Soft Machine to Shipbuilding. A series of talks on the future of libraries promises some interesting speculations and Elvis McGonagall reappears in the Comic Verse session.


Elsewhere on the Fringe one of the most unlikely tribute bands of all time line up to rekindle the Captain! Orange Claw Hammer present - Beefheart and Cheeze!

Programmes with booking links are; Fringe - https://www.edfringe.com/visit-the-fringe/programme
International - http://www.eif.co.uk/festival-2015#.Vb5fFkUwHIohttp://www.eif.co.uk/festival-2015#.Vb5fFkUwHIo and Book - https://www.edbookfest.co.uk/the-festival/events

MacBraveheart – an alternative vision of our land (and a Very Important Play)

-->In addition to the piece below I've now written a review for the Morning Star. You can find it under their headline - Confronting Scottish Demons - mine would have been Burying the Hatchback! - Anyway it's here.

In all the furore of political debate and discussion in the theatre world over the independence referendum, and the nature of Scottishness, one play on Edinburgh’s Fringe takes a very different look at our future.

Philip Differ

Writer and director Philip Differ’s, short play, MacBraveheart (a FairPley production at the Assembly Rooms, 31July - 24 August), is a wry look at what we might become in the future. It is a post-indy dystopia, if you will – and a very funny – take on what indy-Scotland could become

Unlike FairPley’s other major production - David Hayman's pro-Indy, The Pitiless Storm - also on at the Assembly Rooms, this play is a black comedy, set in a past post-Indy Scotland of bleakness and infighting. William Wallace, Robert the Bruce and Rabbie Burns wrestle with the issues of what happens next? Be careful what you wish for, because it's the early bird that takes the biscuit! It’s a very important play. It is also very funny!

Differ himself says,

"I have long wondered who we would fight with, if all other targets of our wrath were removed! So I tried to take iconic Scottish figures and set them in an extreme post-Indy landscape to answer that question!"

MacBraveheart stars Gerry McLaughlin, James McAnerney, and Scarlet Mack and is a sharp and witty unusual slant on the independence debate. It plays throughout the Fringe (until the 24 Aug - not the 11) at 13.15 in Studio 1 of the Assembly Rooms. Tickets £10 from http://www.arfringe.com/show/5/macbraveheart_the_other_scottish_play or tel:0844 693 3008.

Promo videos at:

http://www.youtube.com/watch?v=8SNxYESxvUc

http://www.youtube.com/watch?v=8MBbTKGMe1E

http://www.youtube.com/watch?v=_HvrepzwafM

http://www.youtube.com/watch?v=9ms0PBDskXg

http://www.youtube.com/watch?v=GFmyId2427A

Radical Shifts on the Fringe - Fringe Blog no 2

The Morning Star website is currently being revamped and unavailable, so here is my article published in this weekend's edition. It is a summary of my thoughts on this year's Edinburgh Fringe shows.

If politics is show business for ugly people, then show business should be aware of political attempts to move into their territory more comprehensively!

Before this year's Edinburgh Fringe. some commentators (including this one) identified an increase in the number of political shows. Even with a surprisingly low level of shows dealing with Scotland's referendum, especially from Scottish writers.

After three weeks viewing, I can a) confirm that there was a large amount of both overtly political shows and shows with a political angle, and b) while the referendum was covered, especially in spoken word events, it did not form a major theme. Even in a wide-ranging seminar on political theatre it only got one mention in a uplifting discussion that identified political theatre as still very prominent.

Partly because, as respected commentator, Joyce MacMillan, points out, the constitutional debate has been part of the cultural background in Scotland for years, and many writers have moved on. They deal with wider overarching political and human issues - like David Greig in The Events, which deals with our reaction to atrocity. Inspired by (but not directly dealing with) the Anders Breivik murders, this will become a very important play.

Other productions dealt with political history - like Unite-sponsored, We will be Free, Townsend’s Tolpuddle Martyrs' play, or particular issues, like Northern Stage's How to Occupy an Oil Rig - an entertaining training session on direct action in climate change campaigning.

Many productions deal with non-political topics, but allow political issues to feature. An effective
example, is FairPley's production of God Bless Liz Lochhead! in which a struggling group of thesps attempt to re-create a 12 character play with 3 actors! While the convolutions this entails deliver a very funny play, it also makes a comment on the politics of cultural funding in Scotland.

Of course, there is more to the Fringe than drama. Comedy has always been a strongpoint, and this year the return of many 'Alternative Comedy' legends brought that political edge. Mark Thomas crammed a hugely busy schedule with shows on Extreme Rambling along the Israeli apartheid wall; debates on the efficacy of some of his previous Manifesto pledges; and his new 100 Acts of Minor Dissent project. He reached 26 by organising a stand-up demo outside the Russian Consulate against their anti-gay laws! Alexei Sayle, too, came from stand-up exile to prove he was as ascerbic as ever. After 17 years away, he can be forgiven some slight rustiness!

Vladimir McTavish and Keir McAllister's The State of Britain was one show that took the independence debate head-on, but did seem to be unsure of its audiences, possibly for a similar reason to Steve Richards. The political columnist said in the Guardian that he had had to tailor his act to Scottish or other UK audiences on a show-by-show basis.

A further reason for more politics this year is the massive increase in spoken word events. Once the province of the Book Festival, the Fringe started listing these separately a few years ago. This year has seen an explosion in such shows.

Driven by demand (The Book Festival resolutely refuses to move anywhere bigger), the need for promoters to fill venues during the day, and the relative ease of staging this type of show, debates, discussions, Q&As, demonstrations etc. sprang up all over. Most of all, there is an audience for these shows, which is good news for political debate. Almost all major venue complexes featured some spoken word, but the major venue, was the Assembly Rooms/Famous Spiegeltent. FairPley Productions contributed massively, by importing their Verb Garden from the Belladrum festival. The concept - backed by the Co-operative Membership, covered many topics and presented major politicians such as Tony Benn, and George Galloway MP, journalists like BBCs Brian Taylor and Iain Macwhirter, and academics and comedians. Even including the finalist of 2012 Great British Bakeoff, James Morton!

Stephen Wright of FairPley, thinks that spoken word can only increase. "While you need to
programme different topics carefully," he said. "the demand is there for politics. We will be building on that, both in Edinburgh and elsewhere."

God Bless Liz Lochhead!

Is the Personal, the Political? Fringe Blog no 1

Early in the Edinburgh Fringe, and already themes are becoming apparent. The gap between the personal and the wider population seems to be a significant theme, both directly and indirectly! It is an obvious factor when considering the political situation, and the increase in political topics at this years fringe has maybe contributed to the significance of this (see my piece on this in the Morning Star here ) but it hasn't only impacted on obvious political material.

Hindsight - a first play from Scottish comedian Keir McAllister has no obvious political message, although the broad topic of individual decisions and their impact on others - especially when a male ego is involved - has considerable resonance in many gender politics debates!

How much do we make decisions affecting other people in our own interests, and how often do we take theirs into account? And if we only look at it from our perspective, can we ever supersede our own ego?

McAllister gets that across in what is essentially a one person play - albeit with three actors. And he does it with humour and humanity. Obviously having a director of the calibre of Phillip Differ, and actors like Raymond Mearns, James Kirk and Paul Sneddon, all regulars on the standup circuit, gives the play a fighting chance. You should give it more than that. It is worth it and a good first start. It's at the Assembly Rooms until Aug 24,  1.15pm

One of the plays successes is that it recognises that we may not be aware when we take decisions for our own personal advancement, and not for the greater good. Matt Forde isn't so self aware. His show The Political Party, addresses his enthusiasm. An admitted Blairite, Forde's view is that politics needs more 'characters', and he proceeds to identify (and impersonate some).

This should be more fun than it is. An unrepentant political enthusiast (he was out canvassing at 13!) Forde tries to convince us that the whole thing is such fun, that people whose views are frankly objectionable are great personalities and have charisma. I'm not sure, however, that Nigel Farage as a drinking buddy convinced many people (I'm glad to say).

But it isn't in this that the problems arise for this performance. Even an hour in the company of political personalities leaves one wanting more on the issues. He does the voices well, but Forde is an impressionist, whereas Ian Grieve (who plays Gordon Brown in The Confession of Gordon Brown) inhabits his part. It is also an example of how limited the politics of personality are. Not terrible, but it begins to pall. Matt Forde is in the Pleasance Dome until the 25 August, 4.00pm.

I wont be back in Edinburgh until later in August. Hopefully more culture and politics will be winging it by then!

Tales from the city - the first

As we are now able to, Doreen and I have decided to spend more time than usual in various parts of the eastern city at events arranged during August. Apparently they have a goodly number of them at that time, who would have thought it? I hope to keep up a regular blog of reviews.

Legends in tribute to the Legend

At the newly refurbished Assembly Rooms, the first event was Songs of Struggle, an extension of the successful concerts arranged to celebrate the UCS 40^th Anniversary. Some of Scotland’s greatest singers came together and put on a concert inspired by the birth centenary of political activist and folk legend - Woody Guthrie.

Alastair MacDonald

Alastair MacDonald kicked off the show with Irish traditional song Kelly, the boy from Killane. he followed it with a classic ‘Thurso Berwick’ (Morris Blythman) song Perfervidum Ingaenium Scotorum. It set the good size audience up for a sparkling evening. While there were a good number of classic left political songs, set through it were more unusual items. Sheena Wellington, who followed MacDonald, set a more laid-back tone with her a cappella songs (including her own Women o’ Dundee). Dave Anderson - fresh from his success in Oran Mor’s Summer panto - Alice in Poundland, revisited Wildcat’s play about the 84 Miners’ Strike with his version of Dead Liberty. The balance problem between the keyboard and voice didn’t lose too much of the context.

Arthur and Brian at the UCS
concert in the Old Fruitmarket

It was left, appropriately enough, to Arthur Johnstone, and Brian Miller to bring us to the specific Woody Guthrie songs of the night, highlighting Ramblin Round, (a nice version of this song by Bob Dylan can be heard here -  http://www.youtube.com/watch?v=76kx2CPXiyE ) and Do Re Mi.

The short tribute ended with the ensemble performance of This land is your land, and sent the pleased audience on their way with Guthrie’s So long (its been good to know you).

Short, though the concert was, it was a fitting tribute. With the Guthrie songbook hardly even pauchled, never mind plundered, his hundredth birthday has surely some more mileage yet?

And did those feet...?

It is probably taking a step too far to see Danny Boyle’s inclusion of suffragettes, trade unions and the NHS in his Olympic opening ceremony as a left ‘claim-staking’ of cultural events in the UK. (Mind you wasn’t it great that so many right-wing politicians and media made fools of themselves berating the ‘lefty propaganda’?). However, the left has certainly, in recent years evinced an increasing interest and involvement in cultural and artistic events.

A number of items at this year’s Edinburgh Fringe Festival point to this revival of socialist and working-class interest in, and use of, cultural and artistic activities to reach people and to raise their profile in general.

Tony Benn

At the Assembly Rooms, produced/programmed this year by Tommy Sheppard (himself no stranger to radical ideas), old skool left Labour ex-Parliamentarian, Tony Benn will be taking the stage to introduce a forthcoming filmed biography - Will and Testament. This has been over a year in the gestation and covers, among many struggles, Benn’s involvement in the 1971/2 Upper Clyde Shipbuilders work-in. This was a struggle he remembered last year as he took part in the Gala Concert staged to mark the 40^th Anniversary in Glasgow’s Mitchell Theatre - many attendees will remember the film crew following Tony around.

Woody Guthrie

In addition a number of the other participants in that concert (and the subsequent Celtic Connections concert) are coming back together to mark another working-class anniversary - the centenary of the birth of Woody Guthrie, dust bowl poet and singer, communist and inspirer of many of today’s folk singers, most notably Bob Dylan. Arthur Johnstone, Alistair MacDonald, David Anderson and Sheena Wellington lead the line up paying homage to Guthrie.

While this might be seen as the product of successful concerts and the desire of a new producer/programmer to strike out in a new direction from his predecessor, in fact these events are the latest examples of might be seen as a resurgence of ‘socialist culture’ that seems to be taking hold.

MayDay

Previous events included the UCS 40^th Anniversary Concerts, and other highlights like the screening of Cinema Action’s films of the Work-in, but there are also the two years of cultural activity around Glasgow’s traditional MayDay march. Although low-key, these are increasingly being distinguished by the rise in the number of campaigning organisations staging events. Last year the programme featured Scottish Left Review, Cuba Solidarity, and the International Brigades Association as well as Glasgow’s Trades Union Council and the co-ordinating Glasgow Friends’s of MayDay.

Our Class, Our Culture

Also Scotland is seeing a series of increasingly respected Morning Star Our Class, Our Culture discussion sessions. These last have featured well-known artistic performers, writers and composers, such as Dave MacLennan, Alistair Findlay and William Sweeney, and have covered the contribution of different genres to working class struggle, and the impact of different artists - like Robert Tressell. 

Tressell also features at Edinburgh with a production of Stephen Lowe’s two-handed dramatisation of his Ragged Trousered Philanthropists, produced by Townsend Productions and Unite the union, and a South African Season also features, led by Athol Fugard’s Statements After an Arrest Under the Immorality Act and Woza Albert! from The Market Theatre in Johannesburg (at the (other) Assembly).

The awakening of trade unions to the profile-raising and appeal-broadening sides to this cultural activity is significant. The UCS and Tressell productions have been financed largely by Unite the union, and the other large player, UNISON has been running a number of interesting and innovative Mobilise sessions around Scotland - bringing singing, music, comedy and cartooning directly into the fight. 

A 'Golden Thread'

As someone who has long argued that the use of culture and the arts should be much more of a ‘natural’ element for trade unions, and the left in general, these developments are welcome. I don’t think I am alone, either, in seeing in the flashmob, and other theatrical stunts produced by UK Uncut and the Occupy movements, a practical application of this link. While it should not, (and cannot successfully) be separated from the need to have a clear political direction and a planned campaign, the use of music, drama, imaginative writing and all the entertainment of a well produced event needs to be increased. 

After all, as Boyle himself said his ceremony had  “a single golden thread of purpose - the idea of Jerusalem - of the better world, the world of real freedom and true equality…”. Maybe my original theory doesn’t sound a step too far after all! I suspect Woody Guthrie would have subscribed to Boyle's " ...belief that we can build Jerusalem. And that it will be for everyone”.

Woody Guthrie sings the concerns of people in the 30’s and in the 10’s

A number of hugely interesting developments are planned for this years Edinburgh Fringe. Following on the increased interest in political music at this years Celtic Connections, a similar development seems to be hitting Edinburgh’s festivals - in particular the Fringe.

Woody Guthrie - his guitar killed fascists!

At the city’s Assembly Rooms, new broom, Tommy Shepherd has programmed a sweep of new projects, and specifically two nights of concerts celebrating the centenary of dust-bowl folk singer and political activist, Woody Guthrie.

The links are more than coincidental, as the organisers of the concerts, FairPley, are the same people who organised the UCS 40^th Anniversary Concerts in Glasgow’s Mitchell Theatre, and during Celtic Connections at the Old Fruitmarket, and certain similarity in the artists will also be seen!

The Songs of Struggle concerts star some of Scotland’s finest singers, including Dave Anderson, Arthur Johnstone, Alastair McDonald and Sheena Wellington, plus guests. They will be singing songs by Guthrie, who provided the voice for the many dispossessed during the depression created by the financial crisis in 1930’s United States. It is no wonder that there is an increasing interest in Guthrie, as we struggle in the depths of another crisis of financial capitalism.

Guthrie, of course, was as well-known for inspiring other singers and artists - Pete Seeger, Tom Paxton, Phil Ochs (when is he to be due his re-discovery?) and of course Bob Dylan - as singing songs himself, and the stars of this concert will also sing material inspired by Woody.

The concerts are at 9.00pm on 11 and 12 August in the Assembly Rooms’ Ballroom. Tickets are £14.50/£12.50 from www.arfringe.com or 0844 693 3008. Why not get your union branch to block book tickets and get a discount? Contact Jim or Stephen at FairPley - 0141 418 0562

An increasingly strengthening link between left politics and artistic performance is being seen across Scotland, and it is certainly one to which the Captain will be returning in the near future. In particular the return to Scotland of veteran socialist and former UCS minister, Tony Benn, with his biographical film. Keep an eye on the Captain’s grumps!