Another concert that the Star hasn't had the space to print, but I felt deserved to be published is one from Friday 23 January at the O2ABC, featuring two bands - Canzionere Grecanico
Salentino, and Complete. While their connections to Scotland and Celtic Music are not immediately apparent, they nevertheless became evident!
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Given their origin (and name) you might be expecting influences from Greece and North Africa – and you would be right! You might not expect bagpipes and bodhran’s – but you got ‘em (well, OK the bodhran’s were really large tambourines)! The pipes were shorn of drones and had grown a second chanter, but the sound was unmistakable.
The performance, too,
had links to Scotland in its emphasis on dance. Salento in Puglia is after all
home to the Tarantella – and dancer Silvia Perrone was a classic exponent of the pizzica tarantata. The
music had the rhythm and intricateness of ceilidh bands while Maria Mazzotta’s
vocals came from Greece via North Africa and the Iberian peninsula (think flamenco
song meets fado). The audience were on their feet early in the set, clearly
infused with the infectious rhythms. Many stayed dancing throughout.
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It is in the nature of
music to be repeated round the world, to be adapted and to link peoples. This
festival is showing that its Connections are at least as important as its Celtic.
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