Showing posts with label Eirene Houston. Show all posts
Showing posts with label Eirene Houston. Show all posts

Thursday, 10 November 2016

Guests and Supporters as Cuban Film Festival begins - HGFF preview 1


This week sees the start of this year’s Havana Glasgow Film Festival (HGFF), on 11 Nov, and guests have already started to arrive from Cuba and other parts of the globe. On Tuesday the Cuban screenwriter and HGFF co-director, Hugo Rivalta arrived from Havana. He will be introducing two films in the 9-day festival, and also running a master class at the GFT – Cuban Cinema’s place in the Revolution – on Friday 18 Nov.
Hugo said, “It's a privilege to be back for the second HGFF. I am very content, as I’ve just finished talking to a group of writing students about my work process. These Glasgow students make me feel very appreciated. I couldn't believe the programme Eirene and Barbara have prepared, it's so interesting and huge. 
Hugo Rivalta
“I am looking forward to talking more and meeting lots of people and am especially pleased to welcome Arturo Santana, one of the most prestigious directors of video clips in Cuba to talk about his highly anticipated first feature film Bailando Con Margot. He arrives next Tuesday and I’m sure he’ll be welcomed as I was.” 
Eirene Houston, the Festival Director, is especially pleased that we will be welcoming the Cuban ambassador – Her Excellency Teresita Vicente Sotolongo to the festival on Saturday (12). “ Her visit is a symbol of the support from the Cubans for this festival and I'm very happy that she is coming with her husband and another friend, to take part and enjoy our films.” Eirene says. “She’s coming in particular to see Amor Cronico the popular 2012 road movie by actor and director Jorge Perrugoria (star of Fresa y Chocolate, and new director of the Cine Pobre film festival).”
Other visitors include Anita Curbelo from Cine Pobre and from closer to home – Director of Where you’re meant to be – Paul Fegan. He will talk about his film featuring Aidan Moffat and folk legend Sheila Stewart. Alejandro Valera (from Cuba but currently living in Glasgow) will tell us stories about the making of Amor Cronico.
First Minister adds her support
And while she won’t be visiting officially, First Minister, Nicola Sturgeon MSP has welcomed the festival’s second year, She told the festival she was ‘sure it would bring even more energy, colour and passion to Glasgow and its people.”
The Festival runs from the 11th-19th November across a number of venues in the Glasgow School of Art, the Centre for Contemporary Art and the Glasgow Film Theatre, finishing at Kelvingrove Art Gallery.
In addition to the screenings above, other noteworthy events are – a lecture on the role of parody and satire in Cuban culture – from renowned Cuban specialist Dr Stephen Wilkinson. This will be Friday 11 at the GFT starting sharp at 11.00am. The first film of the festival will be La Rumba Me Llama that same evening at 7.30 in the GSA’s Vic cafĂ© bar.

On Saturday an event on Local Cultures and Local Identities takes place in the GSA’s Reid Building. Short films from TV Serrana – a community-based broadcaster from the Cuban Sierra Maestre will be complemented with short films from Scotland and followed by a panel discussion. The day will also feature a screening of Amor Cronico, (Everlasting Love). A ‘road’ movie with a difference!

On Sunday too, the day is given over to a significant feature of Cuban film – Cine Pobre. Translating as ‘Low-Budget Film’ this is film shot with no or minimal resources, and has its own festival in Cuba. Eirene Houston was a juror this year, and has brought back the cream of the crop! Also part of the day is a documentary of the life of Humberto Solas, founder of Cine Pobre and a famous filmmaker. Also showing is El Tren de la Linea Norte (the Northern Line Train) Marcelo Martin’s journey from Moron to Punta Alegre through an area of ‘forgotten Cuba’. The day finishes with a screening of the American film that won the overall Cine Pobre festival, Tangerine.

A day off on Monday, allows us to gird our loins for the rest of the festival, and Tuesday brings
Hector Medina in VIVA
Paddy Breathnac’s Viva, an Irish film made in Cuba about Havana’s underground drag scene. What, trans sex workers and drag queens in a Cuban Film Festival? Who knew?

That’s it for part one, tune back here at the beginning of next week for a summary of what’s to come at the end of the week, including the visit of Arturo Santana.

In addition to support from partner Glasgow School of Art, sponsorship from Unite, and other TUs, the Festival is supported by the Cuban Film Institute (ICAIC), and Glasgow City Council. The Usheru Cinema app is also providing ticket sales support.
The programme is available on the Havana Glasgow Film Festival website - http://www.hgfilmfest.com/ programme

Monday, 17 October 2016

Second Cuban Film Festival launches in Glasgow


The Second Havana Glasgow Film Festival has launched its new programme online this weekend. The festival has built on last years’ initial success extending its run from seven to ten days in November and increasing the number of films.
This year it features a special day concentrating on Cuba’s low-budget film festival (Cine Pobre). There is an extended piece on Cine Pobre and connections between it and Glasgow's festival on the Culture Matters blog, here. Festival Director, Eirene Houston was asked to join the panel of judges earlier this year, and has brought back a selection of the winners to show – including the overall winner, an American film – Tangerine - shot entirely on a smartphone!
Eirene says, “We’re looking forward to an amazing ten days of Cuban and Scottish Film. In addition to a UK premiere of Cuban film, Bailando con Margot (Dancing with Margot) – a first feature-length film from award-winning director Arturo Santana, we have a fascinating documentary about Cuban director (and founder of Cine Pobre) Humberto Solas, and Oliver Hill’s La Rumba Me Llama (Rumba Calling).
Eirene Houston (pic Martin Shields)
“From Scotland, Paul Fegan’s gem of a film about Aidan Moffat and his encounter with folk icon, Sheila Stewart – Where you’re meant to be, and a session with short documentaries from the Sierra Maestra Community and from Scotland. The local cultures of our two countries will be seen, side-by-side!”
Other films include a couple of hits from last year’s festival (La Pared de las Palabras and La Pelicula de Anna) and a Cuba/Scotland History day where the Spanish Civil War story of Ethel MacDonald (An Anarchists Story) will be screened along with Cuba Libre (the story of two brothers in Cuba’s war of freedom from Spain).
Los Bolos en Cuba
Other films will include El Tren de la Linea Norte – a journey through forgotten Cuba, and Los Bolos en Cuba – Enrique Molina’s warm and sometimes irreverent documentary rescuing the memory of the relationship between the Soviet Union and Cuba.
Visiting film makers include, in addition to Arturo Santana from Cuba (brought over thanks to sponsorship from Unite the union), Festival co-director Hugo Rivalta from Cuba, Alejandro Valera from Cuba via Glasgow, and Paul Fegan from Glasgow.
The Festival runs from the 11th-19th November across a number of venues in the Glasgow School of Art, the Centre for Contemporary Art and the Glasgow Film Theatre, finishing at Kelvingrove Art Gallery.
In addition to sponsorship from Unite, and other TUs, the Festival is supported by the Cuban Film Institute (ICAIC), and Glasgow City Council. The Usheru Cinema app is also providing ticket sales support.
The programme is available on the Havana Glasgow Film Festival website - www.hgfilmfest.com/programme

Monday, 16 November 2015

Reeling in the (Cuban) Years!

A little late (I was away at a conference when it was published) here is a link to my review of
the First Havana/Glasgow Film Festival that the Morning Star published last Thursday.

Conducta - Five star film
The review was necessarily edited and lost the ratings I gave the films I saw (for the record they were; Conducta - *****; Mi Dicen Cuba - *** and Boccaccerios Habaneros - ****).

The overall standard of the films I saw was very good indeed, and it is quite salutary to realise, that if it hadn't been for this new film festival, people in Glasgow (and elsewhere in the UK) would have had little or no opportunity to see them. 

I think that it is also significant that, despite some levels of support from some local institutions - Glasgow City Council, Glasgow School of Art, GFT, and the bar, Mango amongst others - the Festival's organiser, Eirene Houston, expended a considerable outlay of both money and time to bring it to Glasgow.

We must ensure that this First Festival isn't the last. There is quite clearly a major cinematic ferment in Havana which it would be important to see, and even if and when that is covered, the theme could surely be broadened to cover other Latin American countries. Of course, also usefully explored could be our western view of Cuba (touched on in the festival with the showing of In Cuba They're Still Dancing). 
Let's make sure this is the first of many

The other thing we must ensure is that the infrastructure that makes everything happen, isn't suspended from such a shoogly nail!

Sunday, 1 November 2015

Political, cultural and lifestyle links celebrated in Glasgow/Havana film festival.


Many people over the years have commented on the parallels between the cities of Glasgow and Havana. The enthusiasm for dance, music and film that envelopes both cities has been often referred to, and no doubt led in part to the historic twinning of the two cities 13 years ago this month. Tangible evidence of the benefits of that twinning are on screen in Glasgow this week, as the first Glasgow/Havana Film Festival opens.
The festival, brainchild of the Cubaphile screenwriter and director, Eirene Houston, features at least three (count ‘em) UK premieres of Cuban films, Q&As with well-known Cuban directors – including Fernando Perez whose La Pared de las Palabras premieres at the GFT on 7 Nov, and Alejandro Valera who recently moved to live in Glasgow. His Boccaccerias Habaneras premieres on 8 Nov at Gilmorehill. It also features Houston’s own 2012 film Day of the Flowers.
Eirene Houston. Pic-Martin Shields
 Houston said at last night’s opening, that she had been ‘in love with Cuba, since 1997. The people are so similar.’ She herself worked at the film school in Havana and has built up many film and TV contacts which became key to the creation of the festival.
The political links between the two cities are also covered by a film and discussion night on Saturday 7, at Gilmorehill, Glasgow University. Glasgow TUC Chair and UNISON official, Jennifer McCarey chairs a discussion on Socialism Reinvented, and two seminal Glasgow-based TV productions are given a welcome airing – Barbara Orton’s 1993 feature on Rolls Royce shop steward, Labour councillor and dance enthusiast, Agnes McLean – In Cuba they’re still Dancing is followed by Red Skirts on Clydeside, the 1984 programme that started the reassessment of the role of Glasgow’s women in red Clydeside.
Me Dicen Cuba - Alexander Abreu
Other films that promise much include, Me Dicen Cuba (6 Nov, Gilmorehill) – the story of Cuba’s greatest musicians coming together to record the title song of a documentary in support of the Cuban 5; Conducta – the UK premiere of the most universally successful Cuban film since Strawberry and Chocolate (5 Nov, GFT); and La Pericula de Ana (3 Nov, GFT) a film about a native Cuban actress and exploitative foreign filmmakers!
Couple all this with a celebration of Cuban food (in Stravaigin on 4 Nov), the launch of Rebecca Gordon Nesbitt’s book on the central role of Cuban Culture – To Defend the Revolution is to Defend Culture - (in the CCA on the 7 Nov) and to make the cities’ links complete – a revival of the Club Cubana nights, Glasgow used to see! (In Mango, Sauchiehall Street, 6 Nov). Full Programme is available from the festival website, here. You’ll find something you want to see, hear or eat/drink!