An embarrassment of riches - Celtic Connections '17 Preview

This is a preview piece for this year's Celtic Connections, that was printed in the Morning Star on Thursday (19 Jan). The link to the article on line doesn't seem to be working, so here (with a little updating) is the article as written. Updating as well, prompts me to mention that fact that the Lions of Lisbon, has not only had to have an extra performance scheduled, but both are now sold out! Never mind, it will appear later in the year. Watch - as they say - this space! 

Rab Noakes

Having an embarrassment of riches is sometimes a mixed blessing. Imagine being a concert scheduler with Celtic Connections – the very successful music festival that started in Glasgow on Thursday. With the acts attending, clashes must be a perennial concern. This year on one night (2 Feb) you could see Orchestre Baobab, Eliza Carthy, Rab Noakes and Martin Green’s impressive collaboration, Flit, except you couldn’t of course, because they’re all on at the same time.

Still, there are plenty of other shows that are worth seeing, in particular the re-emergence of Shirley

Shirley Collins (photo Eva Vermandel)

Collins (4 Feb), who has released her first new album for 38 years. She leads a strong female presence at this year’s festival. Highlights include Mary Chapin Carpenter (30 Jan), Martha Wainwright (3 Feb), Sharon Shannon (3 Feb), rising star Siobhan Miller (26 Jan) and the ubiquitous Karine Polwart - her Wind Resistance performance spreads over four days (24-28 Jan) at the Tron. Even the Roaming Roots Review this year concentrates on Women of Song (28 Jan).

This year also has a sense of ‘back to traditional folk’, not just the reappearance of Shirley Collins after 35 years, but a concert from Tom Paxton (25 Jan) and both Fairport Convention (24 Jan) and Rab Noakes (2 Feb) celebrating 50 years performing.

Having said that, there is also plenty of new talent performing at this year’s festival. CDuncan (26 Jan) has already created a stir, and I’m looking forward to seeing the Southern Tenant Folk Union (30 Jan). It is often the ‘outside’ venues that break these new acts, and this year brings a couple of new venues to Celtic Connections in South Glasgow’s Glad Café and the West End’s Hug and Pint.

Finally, if you are ‘all folked out’ and fancy something a little different, two important British composers feature this year. Eclectic composer, singer and clarinettist, Anna Meredith is on 4 Feb, and Craig Armstrong and Calum Martin present the outcome of their collaboration to write new music inspired by Hebridean psalm singing (3 Feb).

Too much music? How about a day at the footie? FairPley are reviving The Lions of Lisbon, the play by Willy Maley and Ian Auld about Celtic’s triumph in the European Cup 50 years ago! (29 Jan - two performances). Get tickets on line at www.celticconnections.com

Travelling to come together.

This is my review of the highlights of 2016 . Compiled for the Morning Star (who published it here) this is the original. The Star is excellent at shaping my sometimes unweildy prose into shorter pieces. occasionally however something goes awry. In this case the title of Martin Green's exceptional Flit has disappeared in the Star piece, so here is the full text.

 Celtic Connections kept its key ‘front of the year’ role. Lau and the Unthanks produced a powerful and at times overwhelming concert at Glasgow’s Royal Concert Hall that showed us where folk music can go when seized by imagination, talent and technical ability; electronic wizardry fused well with the pure sound of the human voice.

Songs of Separation musicians come together

Another concert demonstrated both cross-fertilisation and how life impacts on art. Inspired by the debates around the Scots independence referendum of 2014, it was the culmination of two years work by ten female Scottish and English musicians living together on Eigg. Organised by double bassist, Jenny Hill, it included Eliza Carthy, and Karine Polwart amongst others. Ironically, although entitled Songs of Separation, the dominant theme was a coming together of national and regional traditions, producing new material, particularly poignant when it dealt (as it often did) with the human tragedy of the migrations across the Mediterranean (Glasgow, Mitchell Theatre). 

Martin Green's Flit

Migration rang out too, in a magnificent highlight to the Edinburgh International Festival (EICC). Again this featured Martin Green (of Lau) and Becky Unthank, along with Dominic Aitchison, Adam Holmes, Aidan Moffat, Karine Polwart and Adrian Utley. Flit married all these talents with the wonders of whiterobot’s (Will Anderson and Ainslie Henderson) torn paper visuals and told us stories of forced and chosen travelling – searching for a place where we feel comfortable

 Elsewhere in Edinburgh we saw a glimpse of the former strength of Scottish drama – with a rehearsed reading of David Greig’s Europe at the Edinburgh International Book Festival – a prescient glimpse back (forward?) into European crisis and its relationship with moving peoples.

The 1916 Easter Rising gave us a number of shows, including Edinburgh TUC’s dramatic and musical look at James Connolly at The Hub as part of the EIF; labour leader, rebel general, family man, and songwriter (who knew?). The centenary provoked one Scottish event after another, including a great new historical walk around Glasgow, and a new play on the little-known Margaret Skinnider – schoolteacher, feminist and sniper – whose story was the successful centrepiece of 2016’s Glasgow MayDay Cabaret in Oran Mor.

Finally, the world of Cuban film cemented the second Havana Glasgow Film Festival in November. The key themes of music, history, community and real life featured in the celebration of Cuba’s Cine Pobre festival. And the look at the key role of the Soviet Union in sustaining the Cuban revolution – Los Bolos en Cuba – took us neatly forward to next year’s important centenary.

Pulling down the walls – or how to arrange an ensemble concert – Celtic Connections 4

Songs of Separation - ***** - Mitchell Theatre

In a festival that has made a feature of ensemble concerts, where a number of artists come together around a theme or event, ten women from Scotland and England showed last night how it should be done!

Jenny Hill

Brought together on the Isle of Eigg by bassist, Jenny Hill, this impressive array of talent showed the importance of both ensuring the variety of distinct contributions were given their own space, but working together to deliver a concert greater than the sum of its parts.

From Karine Polwart’s opener Echo mocks the Corncrake, we were treated to a wide-ranging

Karine Polwart

discourse on Separation – from each other, from the land, from family, from life itself. Sparked by the consideration of 2014’s referendum, the project didn’t come together until after that event, and this produced much more wide-ranging consideration, covering Gaelic, Norn, Bulgarian and music hall songs, as well as newly written work.

As Eliza Carthy pointed out – as they met, the unfolding tragedy of refugees gave a very different and human story of separation. That is reflected in the ensemble piece Over  the Border which powerfully combines, the Scots post-Flodden song,  ‘Floo’ers of the Forest’, the English First World War song ‘Flowers of Knaresboro’ Forest’  and the Scots  pipe tune, ‘Blue Bonnets O’er the Border’ in a call to get ‘the gates, and their borders all wede away’.

Rowan Rheingans

The concert constantly referred to how the project had reinforced connections between the musicians – both directly like Rowan Rheingans and Hannah Read’s arrangement of Robert Frost’s poem Stopping by Woods on a Snowy Evening.  - and indirectly, such as watching all the women singing Gaelic choruses.

Indeed the musicians – who included Hannah James, Hazel Askew, Jenn Butterworth, Kate Young, and Mary McMaster as well as those above – molded together so well in support of each other, that it’s impossible to believe they haven’t been playing together all their lives! Pull down those walls again, please!

The concert was part of a tour to showcase the album created from the women’s time on Eigg. It is released on the 29 January – check the NavigatorRecords website for more info.

Festival making much of their Connections

 This is by way of  a compilation of my reviews of Celtic Connections concerts so far published in the Morning Star.

The festival is well on course to be a classic year. In particular the theme of Connections seems to be a major part of it. While it has always been a significant festival factor, this year seems to be emphasising connections in almost all of the events.

Probably one of the most significant will be tonight's concert celebrating the centenary of the birth of

MacColl. huge influence

Ewan MacColl. At Glasgow's Royal Concert Hall, Jarvis Cocker (Blur), Paul Buchanan (The Blue Nile), Dick Gaughan, Karine Polwart, and Martin and Eliza Carthy are among the galaxy of talent lined up to pay tribute to MacColl, dramatist, singer, marxist, broadcaster and the man most responsible for Britain’s folk revival. Curated by two of his sons – Calum and Neil - and also featuring four of his grandsons, this concert celebrates the legacy of the songwriter who gave us Dirty Old Town, and The First Time Ever I Saw Your Face and many others.

Karine Polwart links Horizons and MacColl

Previous concerts have been the Horizons concert in the Old Fruitmarket a week past on Friday. A good idea which needed tighter control of outside interference. It is reviewed here.

Sam Sweeney's Fiddle was a great piece of work that deservedly attracted a standing ovation from the audience in the Tron. Review here.

keep tuned for reviews of Luka Bloom - and the fire alarm! - and Canzionere Grecanico Salentino!

Celtic Connections - bringing the world together.

My preview of this year's Celtic Connections festival is printed in today's Morning Star, here. They have made some (entirely legitimate) editorial changes to my original article - mainly reordering the concerts thematically rather than by date. However, I thought I'd put my original up here - not because I think it is better written (it isn't), but because in the editing the date of Arthur Johnstone's concert has been lost (it is on the 31 Jan), and more importantly, the point that I was making about the significance of the Horizon's project in bringing together music from the nations of the British Isles, has been somewhat obscured. Here is the original.

In 2015's programme, Celtic Connections Donald Shaw suggests that for some parts of the world, 'music is the best hope of bringing people together', and acts from Van Morrison to the Congo's Konono No 1 show the festival's success in that.

While he probably doesn't mean to include the UK, there is at least one event that seeks to do exactly

Kate Rusby

that. Horizons (16 Jan) is an intriguing partnership promoting music from the British Isles' constituent nations. The concert features Karine Polwart (Scotland), Kate Rusby (England), Damien O'Kane (NI), the Republic's Declan O'Rourke, and Welsh balladeer Al Lewis (playing with Alva Leigh).

Sam Sweeney's Fiddle (16 & 17 January) is a multi-media performance about a fiddle bought by Sam Sweeney, whose maker turned out to have died in the First World War. The performance will also feature Sweeney's Bellowhead band mates, Paul Sartin, Rob Habron, and storyteller Hugh Lupton.

One of the Festival's international acts are Canzionere Grecanico Salentino (23 Jan). A band from the 'heel' of Italy, they blend music, song and dance to deliver the unique cultural tradition of the region's mixed history.

Ewan MacColl

A major feature must be the concert of Ewan MacColl's music (Blood and Roses 25 Jan). Curated by his sons Calum and Neil, the concert includes performances by Kate St John, Dick Gaughan, Martin and Eliza Carthy and Karine Polwart.

Craig Armstrong is a local Shettleston boy who now writes music for Baz Luhrman's films, winning many awards. He's worked with U2, Madonna, Texas, Tina Turner et al and he's still based in Glasgow. Here he plays latest album It's Nearly Tomorrow, with the Scottish Opera orchestra and guests (27 Jan).

Arthur Johnstone

Political singer, Arthur Johnstone invites guests from his original band, the Laggan, the Stars Band, Tommy Sands, actor David Hayman and many others, to celebrate his enduring contribution to working people's struggles (31 Jan). Arthur deserves the widest recognition and the concert's sell out testifies to his enduring popularity.

Also sold out is Frances Black and Kieran Goss's return to their 1992 partnership (27 Jan) although a second night has been added (26 Jan). 2015 may be shaping up to be another success story. Listings and tickets - www.celticconnections.com.