Sunday, 17 January 2016

The Carrying Stream - Celtic Connections 1


This is the first of a series of reviews of Celtic Connections concerts. I'm doing a couple of summary reviews for the Morning Star (and indeed did a preview piece here.) but I thought some of these concerts deserve a full review to themselves. Here is the first, of the opening concert
The 50th anniversary of an association formed to promote and preserve Scottish Traditional music sounds a bit 'worthy', conjuring up images of bearded men in Aran jumpers! But the difference between the image and the reality of traditional music in Scotland is soon exposed. Celtic Connections' opening concert for 2016 was directed by young singer Siobhan Miller - Radio 2 Young
Siobhan Miller
folk singer of the year a few years back, and twice winner of the Scots Singer of The Year award at the Scottish Trad music Awards. And the TMSA is at least as concerned with nurturing new talent as
preserving old. That is immediately obvious from the impressive opening from he National Youth Pipe Band, backed up by the amplified guitars of the house band!
The concert also varies between standards from the Scottish traditional music scene, like Shepheard, Speirs and Watson, and Adam MacNaughon and more recent innovators like Kris Drever, sparky Gaelic singer Mischa Macpherson and - youngest of the lot! - the Ceilidh Trail Band, just back from a tour 'to see how professional musicians can survive' as MC Mark Stevens put it. Any illusion that only Scots from the Highlands are part of the 'carrying stream' was also put to rest with slots from US singer Rayna Gellart and - even further out - Londoner Sam Lee!
Sheena Wellington
Stalwarts of the Scottish folk scene there were in plenty - Arthur Johnstone and Brian Miller, Sheena Wellington (reprising her Scottish Parliament-opening A Man's a Man), Barbara Dickson, Malinky and surprise (and welcome) guests, Aly Bain and Phil Cunninghame, but the real strength of the TMSA is its willingness to absorb and protect traditional acts while nurturing and developing new talent. It is that which enabled Siobhan Miller to get away with bringing Barbara Dickson on for only one song. It is that which led the packed stalls of the Royal Concert Hall to welcome every act with warmth and affection, and it is that which meant the packed stage could sign off with Freedom Come All Ye and The Parting Glass without a false start.

Tuesday, 29 December 2015

Mary Barbour ‘stars’ in Gala Concert


This is the original release that led to the story re the Gala concert appearing in The Herald recently - here, and also in Pat's Guide to the West End, here. Thanks to both. The tickets are now on sale from the Concert Halls box office - see link below.

A major Gala Concert has been announced to raise funds to create the statue of 1915 Rent Strike leader, and political activist, Mary Barbour.


The concert, which is scheduled for 21 February in Glasgow’s Old Fruitmarket, will feature some of Scotland’s leading performers in a great night of entertainment, song and music. Names are to be announced in the New Year.
 
Maria Fyfe
Maria Fyfe, Chair of the Remember Mary Barbour Association said. “We’ve planned this major concert to celebrate Mary’s life and work. It is part of our continuing campaign to create an appropriate tribute to one of Glasgow’s greatest heroes. Following the unveiling of the five statue maquettes, we are busy circulating them, ensuring as many people as possible get the chance to have their say. They’ll be on show at the concert.
“We have been fundraising for just over a year now and are more than halfway to our target of £110,000. So we’ve asked Fairpley to put together this concert. It will be simultaneously a major method of raising the funds to fill the gap, a huge public display of support for this project and, of course, a great night out!”
Mary Barbour led the successful rent strike of 1915 and went on to play a leading role in the labour movement as a Glasgow Councillor and energetic social reformer. Following an extensive campaign to have her contribution recognised, five sculptors were shortlisted to create a statue of her to be placed in her community of Govan. So far each has created a maquette of a proposed statue . These were unveiled in November and are being toured across Glasgow from then until February. See them on the Facebook page here.
Details of the Gala Concert are as follows
Remember Mary Barbour – Gala Concert , Sunday 21 February, Old Fruitmarket, Glasgow, 7.30pm, Tickets: £25, from the Glasgow Concert Halls box office. http://www.glasgowconcerthalls.com/Pages/home.aspx#  0141 353 8000. For further information  - www. remembermarybarbour.com/ and on Facebook https://www.facebook.com/RememberMaryBarbour/
 

Wednesday, 9 December 2015

The Word on the Streets.... of Oldham

Of all the commentary on the huge success that was Labour’s victory in the Oldham by-election, few if any commentators seem to have noticed one of the most significant factors.

The key point (I think) is how out of sync the attitudes of the media (and many members of the professional ‘political’ bubble) are with the general public. While hostile commentators (incidentally – this does not only mean right-wingers) were predicting an embarrassingly low majority or maybe even a defeat that they could place at the door of Jeremy Corbyn, the people of Oldham were delivering the best ever result for Labour in the seat with a 62.1% share of the vote!

Jim McMahon and Jeremy Corbyn after the Oldham By-election
So why this disconnect, especially in a week that was supposed to be embarrassing for Corbyn after the Syria vote? Well, there are a number of reasons, and they are not good reading for the right – either in or out of the Labour benches. Oh, and none of them are the sudden conversion of the people of Britain to revolutionary socialism!
First is the tendency of too many people inside the political bubble to only hear the comforting sounds of like-minded ‘bubbleists’ – and by these I mean journalists and commentators as well as political colleagues – rather than the word on the streets.
A Daily Telegraph image from early 2015.
For a long time politicians have tried to make sure that they all look, and sound the same. Media advisers, strategists and PR people have been telling them for so long that they need to avoid committed policy statements, need to try and gather together the ‘middle ground’, that they haven’t noticed that they have all become the same. That is, of course, they have all become the type of career, PR-slick, media-savvy, policy-lite, people that delivered us the Westminster-expenses scandal. The politicians people are thinking of when they say, “They’re all the same – just out for themselves.”
One of Jeremy Corbyn’s advantages with that electorate is precisely that he isn’t that type of politician. He does come across (as incidentally does Nigel Farage!) as someone who says what he believes, and believes what he says. It is unlikely (much as I would like it to be the case) that everyone who voted for Corbyn in the Leadership election, has been part of the huge growth in Labour membership, or who voted Labour in Oldham are revolutionary socialists. They are people who want to see a change. In Corbyn’s anti-austerity, compassionate and principled stance (UNlike Nigel Farage) they think they have found it.
That backing from ordinary people is significant in another way too, of course. It means that Corbyn is not a prisoner of the Parliamentary Labour Party (PLP). He was (for the most part) not supported as leader by them, but was elected by the membership as a whole in the way that the right in the party said they wanted. That also means that he isn’t a ‘prisoner of the unions’ as Miliband was accused of being! This sudden strength of the ordinary member – and indeed the large increase in their number, must be a tad worrying for MPs facing selection! Maybe the urgent hostility of some in the PLP might be to do with a feeling they don’t have long? Certainly Corbyn seems to be the one playing the long game, and his perceived ‘light touch’ in response to hostile comments from supposed colleagues doesn’t seem to be doing him any harm with the public (or the membership). Maybe this is another example of ‘not just another politician’?
The second reason for the disconnect is that there are many fewer journalists with anything like the time to get out of the office or the lobby and actually go and research a story – to find out what is being said on the streets of Oldham or wherever. If all you listen to are politicians feeding you their wishes, if all you check are the tweets of the twitterati, when there is something going on out there, you’ll not spot it.
Of course if you work for a media organization with an agenda that swings only one way then you will also know what you are expected to write, but even if you are a good political journalist (and there are many), the way to get rid of the temptation to take the story fed to you, must often be to give into it, - especially if it is being punted by regular sources.
Thirdly, and maybe more controversially, am I alone in seeing a reduction in the power of the media? The reduction in sales of newspapers and the dispersal of ‘news’ around the social media sites may (and it is too early to be definite about this) herald the relaxing of the grip of the media barons. It certainly appears that there are increasing examples – not least Corbyn’c election as leader – where a media line has failed to deliver the proponent’s desired result.
On the Streets. Campaigning in Oldham
Finally – although this has been mentioned albeit briefly – the other thing that helps at election time is a good local candidate. Many of the current crop of Westminster politicians got where they were after carpet-bagging around the country to try and gain a safe seat. This reinforces the image of the ‘Slick Willie’ brand of politician. While local council leaders aren’t always the right person for selection, they usually have a local profile. Where that is a positive one – and it certainly appears to be in Oldham – a local candidate has considerable weight.
It seems clear that if Jeremy Corbyn can maintain the principled and measured approach he has so far, it will maintain his popularity in the eyes of the public. If that continues to reflect in political support it may help in dealing with recalcitrants! It also means that attacks on Corbyn for continuing to say the things he believes are unlikely to attract much support from the electorate.

Monday, 16 November 2015

Reeling in the (Cuban) Years!

A little late (I was away at a conference when it was published) here is a link to my review of
the First Havana/Glasgow Film Festival that the Morning Star published last Thursday.

Conducta - Five star film
The review was necessarily edited and lost the ratings I gave the films I saw (for the record they were; Conducta - *****; Mi Dicen Cuba - *** and Boccaccerios Habaneros - ****).

The overall standard of the films I saw was very good indeed, and it is quite salutary to realise, that if it hadn't been for this new film festival, people in Glasgow (and elsewhere in the UK) would have had little or no opportunity to see them. 

I think that it is also significant that, despite some levels of support from some local institutions - Glasgow City Council, Glasgow School of Art, GFT, and the bar, Mango amongst others - the Festival's organiser, Eirene Houston, expended a considerable outlay of both money and time to bring it to Glasgow.

We must ensure that this First Festival isn't the last. There is quite clearly a major cinematic ferment in Havana which it would be important to see, and even if and when that is covered, the theme could surely be broadened to cover other Latin American countries. Of course, also usefully explored could be our western view of Cuba (touched on in the festival with the showing of In Cuba They're Still Dancing). 
Let's make sure this is the first of many

The other thing we must ensure is that the infrastructure that makes everything happen, isn't suspended from such a shoogly nail!

Friday, 6 November 2015

Cuba – land of problem and promise


Fernando Perez - in Glasgow Saturday!
The First Havana/Glasgow Film Festival has started with a bang. The first film La Pericula de Ana, was reportedly a very funny launch, and Conducta - on last night, was an outstanding film - a review of which is below. 
Me dicen Cuba
 Tonight, the island's music takes centre stage with Me Dicen Cuba. The highlight, though, comes on Saturday, when the leading Cuban Film Director, Fernando Perez comes to the festival to talk about his film La Pared de las Palabras – this will be shown at 3.00pm, GFT. Later that day a discussion on Socialism Reinvented? will be accompanied by two well-known Glasgow films - In Cuba they're still Dancing, and Red Skirts on Clydeside. This last event is at Glasgow Uni's Gilmorehill Centre, See the festival website for details. www.hgfilmfest.com
Conducta (Behaviour) – 2014 – *****  GFT
This UK premiere of Ernesto Daranas’ Conducta was a triumphant debut as part of an increasingly impressive first Film Festival. The film pulls no punches in its examination of the underbelly of the Cuban revolution. The beautifully filmed, crumbling buildings of Havana are symbolic of the crumbling of the society. But ultimately it is a film full of hope.
 
Conducta - Hope takes wing
 The film centres round the troubled Chala (superbly played by young Armando Valdes Freire), and the impact on him of his mother’s drug abuse, his father(?), Ignazio’s illegal dogfighting ring and his own run-ins with the police.  His only positive is his deep relationship with his (older) form teacher, Carmela (Alina Rodriguez). This is threatened by her championship of the troublesome kid, and his young ‘girlfriend’ Yeni (another great performance by Amaly Junco). Cue clashes with (younger) authority figures over Chala’s future.
But hope wins through – Chala’s real interest is flying pigeons, Yeni (and Carmela) break the link with the dogfights, and Carmela does not succumb to pressure to retire. Is the film a clash between the older ‘revolution’ and the new ‘commercialism’? If so, young teacher Marta’s move from replacement to support for Carmela is hopeful, as is Ignazio’s tacit acceptance of responsibility. The beauty of the filming too, indicates a deep love for the people and city, on both sides of the ubiquitous railroad tracks.

Monday, 2 November 2015

Mrs Barbour’s Army – 100 years on!


As we approach November 17 – the centenary of the day the court case against 18 Glasgow women on Rent Strike was dropped – it is probably not surprising that the amount of references to Mary Barbour, and in particular the proposed statue to commemorate the activist, campaigner and politician, are likely to increase dramatically.
Mary Barbour
The Scottish Morning Star ‘Our Class, Our Culture’ series of events starts the feature tomorrow (3 November) – with a talk by Maria Fyfe on Rent Strikes and Red Clydeside. The former Labour MP for Maryhill is now Chair of the Remember Mary Barbour Association and will no doubt be keen to bring everyone up to speed on the status of the statue project as well as bringing out some of the important advances that Mary contributed. This is at the STUC centre at 7.00pm. Details here.
Hopefully the woefully small number of prominent women marked by  statues in Glasgow (three at the last count) will soon be increased!
The AJ Taudevin play, Mrs Barber’s Daughters, first performed at A
Mrs Barbour's Daughters. Photo - Leslie Black
Play, a Pie and a Pint
, at Oran Mor in 2014, has a fresh outing at the Tron this week. From the 4 -7 Nov this short play, incorporating
worker, protest and popular songs from the last 100 years, will update the history and point to lessons for today.  7.45pm each night – details here.
And watch out on the 17 itself, for the latest steps in the statue saga!

Sunday, 1 November 2015

Political, cultural and lifestyle links celebrated in Glasgow/Havana film festival.


Many people over the years have commented on the parallels between the cities of Glasgow and Havana. The enthusiasm for dance, music and film that envelopes both cities has been often referred to, and no doubt led in part to the historic twinning of the two cities 13 years ago this month. Tangible evidence of the benefits of that twinning are on screen in Glasgow this week, as the first Glasgow/Havana Film Festival opens.
The festival, brainchild of the Cubaphile screenwriter and director, Eirene Houston, features at least three (count ‘em) UK premieres of Cuban films, Q&As with well-known Cuban directors – including Fernando Perez whose La Pared de las Palabras premieres at the GFT on 7 Nov, and Alejandro Valera who recently moved to live in Glasgow. His Boccaccerias Habaneras premieres on 8 Nov at Gilmorehill. It also features Houston’s own 2012 film Day of the Flowers.
Eirene Houston. Pic-Martin Shields
 Houston said at last night’s opening, that she had been ‘in love with Cuba, since 1997. The people are so similar.’ She herself worked at the film school in Havana and has built up many film and TV contacts which became key to the creation of the festival.
The political links between the two cities are also covered by a film and discussion night on Saturday 7, at Gilmorehill, Glasgow University. Glasgow TUC Chair and UNISON official, Jennifer McCarey chairs a discussion on Socialism Reinvented, and two seminal Glasgow-based TV productions are given a welcome airing – Barbara Orton’s 1993 feature on Rolls Royce shop steward, Labour councillor and dance enthusiast, Agnes McLean – In Cuba they’re still Dancing is followed by Red Skirts on Clydeside, the 1984 programme that started the reassessment of the role of Glasgow’s women in red Clydeside.
Me Dicen Cuba - Alexander Abreu
Other films that promise much include, Me Dicen Cuba (6 Nov, Gilmorehill) – the story of Cuba’s greatest musicians coming together to record the title song of a documentary in support of the Cuban 5; Conducta – the UK premiere of the most universally successful Cuban film since Strawberry and Chocolate (5 Nov, GFT); and La Pericula de Ana (3 Nov, GFT) a film about a native Cuban actress and exploitative foreign filmmakers!
Couple all this with a celebration of Cuban food (in Stravaigin on 4 Nov), the launch of Rebecca Gordon Nesbitt’s book on the central role of Cuban Culture – To Defend the Revolution is to Defend Culture - (in the CCA on the 7 Nov) and to make the cities’ links complete – a revival of the Club Cubana nights, Glasgow used to see! (In Mango, Sauchiehall Street, 6 Nov). Full Programme is available from the festival website, here. You’ll find something you want to see, hear or eat/drink!