Wednesday, 3 July 2013

Do you like it here now? Are you settling in?


The decision by new National Theatre of Scotland (NToS) supremo Laurie Sansom to commission two of Scotland’s finest drama writers/producers - David Greig and Dave MacLennan - to collaborate in producing drama inspired by the referendum ‘debate’ has prompted this response (at last), and possibly even given the lie to Alasdair Gray’s deliberate polemic against the Anglo-centric control (as he sees it) of Scotland’s art establishment.

David Greig
Dave MacLennan

His attack on English people in the arts certainly stirred up the respective nationalist tribes - as he presumably wanted, Early attackers often did themselves no favours by labelling Gray as a racist without reading the essay, although defenders were often disingenuous in the extreme to suggest that offence was being manufactured by the recipients, rather than given by the perpetrator.

It is clear (I think) that Gray is not a racist, but someone of his huge writing talents must be aware of
Alasdair Gray
the impact that his choice of words has. Labelling people ‘colonists’ is obviously designed to tar them with an imperial brush, but ‘settlers’ too - albeit a lesser accusation - is too often bracketed with the adjective ‘white’ to be a neutral term. Indeed it is not that long ago that the advent of the avowedly anti-English ‘Settler Watch’ in NE Scotland caused the SNP to exclude them as racist.
Vicky Featherstone

It is a matter then of considerable regret, that a man of obvious talent, like Gray chooses to have a pop at the people he says control funding/commissioning of Scottish artistic talent on the basis of their place of birth and nationality. Had he done so on the basis of being fully paid-up members of the establishment there may have been more accuracy in his attacks, but to include people like Vicky Featherstone - Sansom’s predecessor as Director of NToS - indicates how far off the radar Gray has gone.

While one can have reservations about some of the directions taken by NToS at the beginning, (and surely any artistic venture must be given space to experiment?) surely the Director who funded and developed Black Watch has some understanding of Scottish culture? Interestingly enough, Black Watch director, John Tiffany also hails from South of the border (Yorkshire - in fact), and has had some pointed things to say about Gray’s comments - not the least of which is to identify the oft-ignored fact that many parts of England also feel badly ruled by London and the South.

In addition to both (so-far) Heads of NToS, and Janet Archer, the new Head of Creative Scotland (surely a much more poisoned chalice) a cursory look round prominent artists who have contributed to the Scottish arts scene produces a fair sprinkling of ‘non-Scots’. Composer Peter Maxwell Davies, for example, has lived in Orkney for 42 years (as long as I have lived in Scotland - not that there are any other links!). Director and playwright John McGrath was born and brought up in Birkenhead and North Wales - anyone suggest that The Cheviot... or Ane Satire of the Four Estaites shows a lack of understanding of contemporary (or historical) Scottish culture?

Interestingly enough in a recent Herald article, Keith Bruce pointed out that choreographer, Matthew Bourne has asked some really serious points about Scottish national identity in his ballet Highland Fling. Indeed he (unusually) has let Scottish Ballet stage it (he normally reserves his work to his own company). It will not come as a surprise to readers that Matthew Bourne too, comes from anent these shores (Walthamstow, since you ask).

The kind of offensive polemic that Gray unleashed is not the tack that the two David’s will take. Although both are enthusiastic and impassioned political beings, I had to read the article to find out which was heading up which side of the debate! Hopefully we can look forward to articulated drama about the real issues - rather than where we were all born.

Wednesday, 8 May 2013

Red Music?


Following the hugely successful Great MayDay Cabaret last Monday - which saw a galaxy of stars including Mark Thomas, socialist magician Ian Saville, and Siobhan Miller & Jeana Leslie have a great night entertaining a sell-out crowd at Glasgow’s Oran Mor - Glasgow’s Friends of MayDay celebrations get underway for the final week.

Tonight at the STUC centre in Woodlands Road, Glasgow University Professor of Music, and well-known Scottish composer, Bill Sweeney gets to grips with the knotty issue of Music and the Working Class movement. While it is clear that some music is written from (or adopted for) a class or socialist perspective, how can that be identified? Especially if - being an extremely abstract art form - it has no words or history? Is it even a valid argument to claim a ‘class’ or ideological adherence for music? 
Bill Sweeney (left) shows earlier
commitment on the picket line during
1980s BBC Orchestra's strike
With Bill’s talent, experience and political background, expect an intriguing examination of the topic! This is a Morning Star, our class, our culture event starting at 7.00pm.
On Friday in the same venue, the Scottish Cuba Solidarity Campaign joins with the STUC to screen the film - Will the Real Terrorist, Please Stand Up? About the arrest and imprisonment by the USA of the Miami 5, it will be followed by a SCSC social. Again free to get in, but donations will be welcomed, this is at 7.30pm
Vladimir McTavish

And last but by no means least, the next afternoon at 4.00pm, Scottish Left Review stage their comedy and music fundraiser downstairs in the Stand Comedy Club. 101 uses for a Spare Bedroom is hosted by Elaine C Smith, and stars Vladimir McTavish, Susan Morrison, John Gillick and Andre Learmonth. Tickets are £12/£7 from the SLR website.

The musical accompaniment to the SLR gig is by Arthur Johnstone and friends, nicely providing the red musical thread that sews these series of events together.

Monday, 6 May 2013

MayDay Celebrations step up a gear in Glasgow

Things are hotting up as Glasgow delivers the most prominent MayDay celebrations for a number of years. In a major concert, Comedian and activist, Mark Thomas; marxist magician, Ian Saville, and former BBC Young Folk Musicians Siobhan Miller and Jeana Leslie join political song master Arthur Johnstone, and harmonica virtuoso, Fraser Speirs,  in a star studded line-up at the Great MayDay Cabaret that crowns this years’ Friends of MayDay activities tonight.
Mark Thomas said - “It is great that I am able to get back to Glasgow for this MayDay Cabaret. The city’s political activity is well known and it's great that they are revitalising the celebrations for International Worker's Day."The concert is in the city’s Oran Mor from 7.30pm. Tickets are £12.50 from the venue or (including a booking fee) from www.oran-mor.co.uk. The last ones are rapidly going, so get hold of them quick! It is sponsored by the Co-operative Membership.

News is also breaking of an intriguing set planned by singer/writer Dave Anderson. He has been working with the Co-Op Funeralcare Brass band to develop a ‘crossover’ set with different musical strands. Dave said “I’m really looking forward to working with a brass band of the quality of the Co-op. This is a first for me but they have a great reputation as a fine band. I’m sure we’ll deliver a new and exciting set!”
Arthur Johnstone and the Stars band warm 'em up!
This follows a hugely successful MayDay march that wound its way through the city yesterday from George Square (how important it is that the ‘people’s square’ is retained to allow us to gather and rally there) to the O2 Academy in Eglinton Street, where Alvaro Sanchez, the Political Counsellor from the Venezuelan Embassy, Neil Findlay MSP Lilian Macer. UNISON’s Scottish Convenor, Alan Wylie from the No 2 Bedroom Tax campaign, and disability campaigner, Tommy Gorman addressed a busy rally. 

These are the highlights of a range of activity in the two weeks around MayDay that ranges from walks to comedy, to films and theatre.

The successful film, The Happy Lands, returned to Glasgow yesterday afternoon. Shown again at the GFT, this great film deals with the General Strike and the subsequent lock-out in a pit village in Fife. Made by Theatre Workshop with local community volunteers and actors, this was a hit of the recent Glasgow Film Festival.
Another film is being screened by the Scottish Cuba Solidarity Campaign. Will the real Terrorist please stand up? will be shown at their social evening in the STUC on Friday 10 May at 7.30. Free but ticketed. Tickets on the door.

The highly-praised talk by Scottish composer, Bill Sweeney on Music and the Working Class Movement, has been revived by the Morning Star Campaigns Committee as part of their Our Class, Our Culture series. This year at the STUC on the evening of Wednesday May 8. At 7.00pm, Free.

Friends at the Scottish Left Review have their fundraising comedy evening next Saturday (11 May) at the Stand in
101 Uses for a
Spare Bedroom
Woodlands Road, Glasgow. 101 uses for a spare bedroom is hosted by Elaine C Smith and features Vladimir McTavish, Susan Morrison, John Gillick and Andrew Learmonth. Music from Arthur Johnstone and friends. Tickets £12/£7 from http://www.scottishleftreview.org/shop/ 

Along with all these goodies - the programme for which is being supported by the STUC as part of its There is a Better Way Campaign, and Thomsons Solicitors - the regular Tron series Mayfesto returns for another year - www.tron.co.uk/mayfesto/ and a Play, a Pie and a Pint continue their innovative programming each lunchtime at Oran Mor.

Two other exhibitions look good - the Rock against Racism archive exhibition - currently at Platform at the Bridge in Easterhouse, and the Street Level photo gallery exhibition of Willy Romer’s photographs of Weimar Germany. On until May 26.

Saturday, 13 April 2013

Battleship painter; work-in cartoonist; villa caretaker; film set artist - and now author!


This is the text of a press release that I planned to send out yesterday. Unfortunately, due to BT's decision that this process was 'suspicious activity' on my email account, the day was spent being passed from call centre to call centre, rather than productive work! It also means I'm shut out of emailing anything out for 48 hours. I'm putting this on the blog, rather than it going to waste. Thanks BT!

It’s a long way from Yarrow’s shipyard on the Clyde, to Hollywood. It’s even longer from painting battleship hulls to starring at a author event at this weekend’s Aye Write! festival, but both of these have been done by Bob Starrett.

Bob's Book!
Now 74, Bob - who first came to prominence as the official cartoonist to the 1971-2 UCS work-in - is about to launch his first book of stories and essays, as well as some new cartoons, on Sunday at the Glasgow festival.

The book covers much of his working life, both in the shipyards where he features many larger than life characters, and as a set painter in the London and Hollywood film industry where the film workers - for all the fame of their industry - come across as slightly less than their own estimation!

Bob says “The book is about and for all the guys and gals I worked alongside, who kept baying foremen off my back so I could think creatively! It’s a celebration of all that’s good from my working life.”

Bob himself is quick to point out that none of the stars and directors he has worked with, can hold a candle to UCS leaders like Jimmy Reid and Jimmy Airlie. “Reid and Airlie in full flight were superb.” Bob says now. “I could listen to Airlie over and over again, and Reid never let you down in his analysis. I’ve yet to meet a director or producer to stand alongside them.”

After the successful work-in stopped the mass closure of shipbuilding on the Upper Clyde, Bob left the yards in 1979.
Bob worked on this film in 1985
Following a journey, during which he spent two years ‘minding a palace’ in Italy, he went to art school and eventually ended up working as a painter on films - working with stars like Daniel Day Lewis, Gary Oldman and Jim Broadbent. 

Following his involvement providing much of the artwork for the 40th Anniversary of the UCS Work-in in 2011, he started to show some of the organisers some of his stories. Stephen Wright from FairPley said that everyone who saw them was impressed. “Indeed we thought they were so good, we asked David Hayman to read some as part of the 40th Anniversary Concert at Celtic Connections.” said Stephen. “And we put another in the concert programme. Talking to others made it clear that we should put these together in a book.”

The book will be launched on Sunday. It has been recommended by writer James Kelman, UCS supporter and politician Tony Benn, and actor Bill Paterson. a foreword has been written by Sir Alex Ferguson - himself a shipyard worker who has gone on to other work! David Hayman will read some extracts and Arthur Johnstone will be singing!

Bob’s Aye Write! event is at 1.30pm on Sunday in Glasgow’s Mitchell Library. Tickets are available from the Mitchell, or from the AyeWrite! website - www.ayewrite.com. 

Monday, 25 February 2013

Happy Lands now on tour


As part of the Glasgow Film Festival, that recently finished, the hugely successful premiere of The Happy Lands took place. Indeed, so successful was the film, that an extra (third) screening had to be added!  The film is a unique collaboration between many hundreds of volunteers from the Fife coalfield communities and Theatre Workshop Scotland.  It tells the story of the 1926 General Strike and the subsequent miners’ lockout as it impacts on a pit town in Fife. More details are in a previous blog.

Dan Guthrie, miners leader,
confronts the pit supervisor
I reviewed the film in the Morning Star, here. And one of the points I made is that the film does not have a commercial distributor. This is because the distributors are unsure that the film will have an audience. Therefore the producers have started a roadshow (with the premiere) that is traveling to many coal mining and other areas in Scotland and the rst of Britain and being shown in halls and theatres as well as cinemas to try and  build up the level of support to take back to the distributors.

The details of this roadshow change frequently, but the list below is where things stand at present. Links to the venues for tickets (where appropriate) are included.

MARCH:

APRIL: 
  • FRI 5th; NATIONAL COAL MINING MUSEUM, WAKEFIELD, ncm
  • SAT 13th; LEICESTER PHOENIX ARTS CENTRE phoenix arts
  • WED 24th; CANTERBURY GULBENKIAN Gulbenkian Kent
  • FRI 26th;  COLINSBURGH COMMUNITY CINEMA, FIFE cccinema

  • 21-28; BEIJING INTERNATIONAL FILM FESTIVAL bjiff

MAY:

If you are around any of these venues when the film is being shown, I can heartily recommend it. Why not get along, have a great night, and increase the pressure on commercial distributors to give The Happy Lands a mainstream release?

Monday, 11 February 2013

The Happy Lands opens at Glasgow’s Film Festival

Following the success of the ‘Red thread’ running through the Celtic connections festival this year (see my article in the Morning Star here) , producers of a number of films and other events are hoping that this interest and involvement in things cultural, is no one-off!

Film Poster for The Happy Lands
First out of the blocks is an important film getting its public premiere as part of Glasgow’s Film Festival. The Happy Lands, is a production by theatre workshop, an edinburgh-based theatre company, and tells the story of the General Strike and the subsequent lock-out of the miners, and how that affected a community in Fife.

Theatre workshop spent four years working with 1,000 volunteers from the Fife community, many of whom had family connections with the miners on strike. Many of the volunteers ended up starring in the film. 

Although it deals with three families in a specific mining village in Fife in 1926, the film has both universal appeal, and lessons for today. The film deals with questions of loyalty, honour, love and trust as these are put under huge strain by the strike. Set at a time when a Conservative-Liberal pact meant slashing of wages and rights for the worst off in our society, the film clearly has messages that resonate in similar circumstances today.

The first public showing of the film is at the GFT on Sunday 17 February at 13.40. If you can’t make that, in an interesting development, the film will be screened again at the Clydebank Empire on Monday 18 February at 11.00. See a trailer here, and get tickets for the film festival showings here. The tickets for the Clydebank Empire showing are a flat £4.50.

The film will then go on a UK roadshow tour to (among other places) Blantyre (1 March), Inverness (10 March) and down South to Durham, Sheffield and Wakefield. Check the website for more details. We hope to welcome it back to Glasgow for the MayDay celebrations!

An Drochaid- The Bridge Rising
The Skye Bridge

Another recently made film shown on BBC Alba in early January, is the Media Co-Op’s documentary of the campaign against the tolls on an early Tory PFI project in Scotland - the Skye Bridge. An Drochaid - the bridge rising, deals with the history of the non-payment campaign.  “An untold, bittersweet story of passion, ego, and financial skullduggery, through the testimony of those who took part. - as the Media Co-op website says! 

It is currently being edited for general release. Hopefully it won’t be too long until another important fight by people against the financial exploitation of governments and big business is properly documented. See a trailer here!

MayDay plans
Events are beginning to emerge for Glasgow’s MayDay celebrations too! Watch this space for more news soon! Or check the Friends of MayDay site. If you have some event around MayDay and want to see it in the programme, why not let me know? chrisbartter@btinternet.com or @chrisbartter on twitter will find me!

Tuesday, 29 January 2013

Songs of Struggle heads for successful night


The star-studded line-up of the Songs of Struggle concert taking place at Celtic Connections has meant the concert has now completely sold out! Those lucky people who have tickets are sure of a superb set, tonight (29 January) at the Mitchell Theatre.
Fraser Speirs blows up a storm at the
UCS Anniversary concert

Sheena Wellington
The hugely experienced and talented musician, Rab Noakes and harmonica virtuoso Fraser Speirs have added their names to a setlist that already boasts political and folk must-haves Sheena Wellington and Arthur Johnstone, folk legend Alastair McDonald and rock/blues performer Dave Anderson. New talent is also featured with singer Siobhan Miller and guitarist Stephen Wright.

Rab Noakes said
“I am delighted to have been invited to take part in this concert. It's important to keep these vital songs alive and to add new material to the repertoire. And it is good to be back playing with some of the key exponents of political song in Scotland.”

Arthur Johnstone is having a busy Celtic Connections. In addition  to the Tony Benn event and Songs of Struggle, he also featured in the Red Clydeside concert on the 25 January in which the songs of the late singer-songwriter and campaigner Alistair Hulett, especially his suite of songs featured on his 2002 Red Clydeside album with Dave Swarbrick, were performed by Arthur, rising star Ewan McLennan, and other special guests including singer-songwriter Karine Polwart and Gavin Livingstone. The great political song doyen Roy Bailey finished off the night.

Arthur Johnstone
Arthur Johnstone said 
“Jimmy Reid said during the UCS work-in that folk music has no meaning unless it expresses the lives and struggles of ordinary people. It is good that Celtic Connections is keeping that link prominent in the festival.”

Songs of Struggle continues what is fast becoming a tradition since the UCS Work-In 40 Anniversary concert in 2011, showcasing working and protest songs with a movable line-up of artists. It is part of the 'red thread' running through this year's Celtic Connections.

Put together by FairPley – a small company who organise events for the labour and non-profit-making sector – it follows Jimmy Reid's observation - folk music has no meaning unless it expresses the lives and struggles of ordinary people.

Tickets are available via the Celtic Connections website –http://www.celticconnections.com/Events/Pages/Event.aspx?ev=497&ty=Song